In the Mountains.

 Travel  Comments Off on In the Mountains.
Apr 202015
 

I headed up to Asheville to help out my folks a bit last weekend. I managed to get some good photos of bears and the mountains with my new gear. My major accomplishment was taking a truckload of recycling down to the dump.

Yeah, that rocking Asheville life.

The next weekend, I headed from Chapel Hill out to Hamptonville for my aunt’s 80th birthday party. It was a lot of fun, and Hamptonville is a great place to get away from it all. The only bummer was when I bruised the heck out of my elbow.

One discovery: with some rubbing alcohol, it’s really easy to remove Coppertone sunscreen. I never knew!

Strum GS-2!

 Music, Technology  Comments Off on Strum GS-2!
Mar 282015
 

I’ve always been a fan of Applied Acoustic Systems’ software, mainly because I love how how it sounds, but also because I love the idea of using software to model instruments instead of relying on gigabytes of samples to create the same sounds. Their Strum GS-1 guitar modeler has been around for a while, and while it’s serviceable as a guitar sound, they just came out with a new version, GS-2, which for now only does acoustic guitar sounds.

For starters, the sound is incredible for a modeler. It sounds … well … like a real guitar. And it behaves like one, too. (And in the end, it’s all about the sound, isn’t it?) There are plenty of patches to play around with to get a good variety of sound colors, and since it’s not much of a memory or CPU hog, it’s pretty easy to run them through whatever VST FX you want to to dirty them up.

The playing interface is also updated, with three new modes. In the first mode, it plays like a keyboard instrument. Hit a key, get a sound. Not much to say there.

In the second mode, it plays like a rhythm guitar. Press a key on the lower half to select the chord, then press a key or combination on the upper octave to strum it. This mode is slightly tricky to figure out. Just banging out major chords is relatively simple: if you want a C, play a C. But if you want a C7, what do you do? You play C and then play the first white key below it. If you want Cm, play the first black key below it. And since F and E are right next to each other, they keys still operate the same, so it’s a little weird. Don’t think in terms of half/whole steps. Think in terms of white/black keys.

I really like the rhythm mode (called Guitar in the program), especially the variety of strums. There are also six different chord types, with different root positions and fingerings, so if you want open chords, you can choose those, or if you want power chords, you can choose those.

To get chords like a sus2 or sus4, you have to chord it out like a regular chord on the keyboard, and experiment! Hitting C-F-G will give me a Csus4, C-D-G a Csus2, and C-F-B a C7sus4. There are a lot of chords lurking in there, you just have to bang around a bit. The major/minor/7th chords are easy to find, though, and that should make simpler stuff easy to knock out.

The last mode is the loop mode, and that’s the most fun to mess with in a mindless kind of way. Hit a key, and the program will auto-strum it for you. To change patterns, select a different key on the upper octave. You can choose a bunch of different patterns, so that makes it fun to play with.

The upgrade was only $30 or so, since I’m already a registered used of Strum GS-1. I can’t recommend this upgrade enough! It sounds wonderful, and it’s really fun to play with.

Obviously, if you’re going to lay down something professional, you’ll want to get a real guitarist in, but for laying down a good acoustic track before then, this should work fine.

Shady Art Business

 Art, Education  Comments Off on Shady Art Business
Mar 022015
 

I’m getting ready to start the latest Pencil Kings challenge. This month, it’s the Shading Drawing Challenge, where I hope to get better at shading my drawings, so they look less like lineart and more like … real drawings of real things.

I love how Pencil Kings runs these challenges. It’s easy to pick up a lot of useful info just watching YouTube videos, but just watching videos is a one-way kind of learning, where it’s hard to ask questions or have some kind of ongoing dialogue. The time differential really messes that up, and by the time I get a response, sometime I forget why I asked a question in the first place.

But the PK challenges are a fun kind of group activity that gets everyone doing the same thing, and we have meetings online twice a week, where we can chat with one of the instructors while she goes over some of the topics we’re covering that week. I love that kind of instant feedback. I’ll gather up my questions during the week, and then fire away! The Figure Drawing Challenge in January helped me a great deal, so I expect to get a lot out of this one, too!

Computer Music Also Does Free/Alchemy and SFZ

 Music, Technology  Comments Off on Computer Music Also Does Free/Alchemy and SFZ
Feb 132015
 

A couple of things:

One, the March issue of Computer Music Magazine is doing a huge Free VST/Sample focus, so you don’t need to speak Japanese to learn all about free VSTs. They’re doing a big tutorial on Synth1, too, which I think is worth reading if you’re interested in Synth1. It’s a pretty powerful free synth that has been around for a while.

Also, if you’re looking for the Alchemy player, CM’s crazy software bundle that comes out each month has the Alchemy Player in it. It’s not the same as the full version of Alchemy, which I love, but it’s better than nothing.

There’s a bunch of other free stuff they stick in there software-wise every month. Most of the “CM” versions are essentially demo versions of real products, with some of the juicier features removed, but you can use them all you want as they are. It’s a good way to demo products you may not even know you might need. (Or you may not need. You won’t know until you mess with them a bit.)

Two, I totally forgot that Alchemy will load SFZ format files. I just spent 20 minutes playing with the violins in SSO, creating a really neat pad in Alchemy with them. It’s dead simple to do, too, since Alchemy supports the format. Such a shame that they got bought out, and we’ll probably never see the new version of Alchemy. Good for them that they got the money, but bad for us, since Alchemy is a brilliant piece of software.

I’m kind of bummed that all of the Alchemy add-ons are unavailable now, but now I can go into my SFZ files and make my own. So it’s part loss, part win.

Lots of Free VSTs in the March DTM Magazine

 Japanese Language, Music, Technology  Comments Off on Lots of Free VSTs in the March DTM Magazine
Feb 122015
 

I just got my copy of DTM, a Japanese electronic music magazine, and they had a big issue this month on Free Stuff, with useful things like reviews and stats, and they were kind enough to dump a bunch of them on a DVD-ROM that comes with it.

Of course, being a Japanese electronic music magazine, you need to know the language to get the most out of it. But it’s a pretty interesting collection compared to some of the standard free VST recommendations out there. The most useful bit is the little graphic showing which plugins are 32/64 bit, and which are Mac/PC only. That’s the really useful bit for me, because I run Live in 64 bit mode exclusively. I have Reaper set in 32-bit mode, but I don’t use Reaper that much. That’s more like a “I have to record this ancient 32-bit plugin to a stem so I can work on it in Live!” kind of thing.

If you want to pick up a copy, go to Amazon Japan and search for DTM 3月2015年.

Live School

 Education, Music, Technology  Comments Off on Live School
Feb 092015
 

There’s a really good Intro to Ableton Live course going on right now on Coursera, taught by Erin Barra of the Berklee College of Music. It’s only three weeks long, but it’s a good way to meet a bunch of different people who are into Live, make some music, and pick up some tips.

I’ve been using it as a way to practice working with Live and Push, and as a way to create music on deadlines. That helps a lot. Having an obligation to a group inspires me for some reason, even if it’s for 4-5 people. The music is all going to be hosted on Blend via Dropbox.

And the music I am making for the class can be found on my Blend, right here.

One of the restrictions I’m putting on myself is to only use the tools in Live Suite, no outside VSTs. So far, it’s been fun. In a way, it’s freeing in that I don’t have to obsess over picking the “perfect” synth from my stupid long list of VST plugins, instead I’ll go with the instruments in Live, which are really good in their own right.

In order to get a little deeper into some of them, like Sampler and Analog, I’ve been using MacProVideo.com’s videos to go into more detail. That’s also kind of cool– using the class as a springboard for further individual study.

The assignments themselves are also fun, in that each assignment has basic minimum requirements that have to be met, like four tracks, two audio and two MIDI, and so on. The restrictions work both as minimums and as something to prod creativity.

Another nice part of the class– Ableton is letting students enrolled in the class demo Live Studio free for 30 days, and Studio usually runs in the $600 range, if I remember correctly.

Free Orchestra Sounds and Free Sample Players

 Music, Technology  Comments Off on Free Orchestra Sounds and Free Sample Players
Feb 052015
 

I’d love to get some of the top-shelf orchestral libraries, but I don’t really have $2,000 lying around. And I love Free Things!

So I’m going to suggest taking a look at Sonatina Symphonic Orchestra. It’s free as in free speech and free beer. The quality is good, not great, but that’s all I need at my level.

The SSO library uses the SFZ open format, and the only player I can find anymore is the free SFZ sample player at Plogue. I tried to find the Cakewalk SFZ player, but all I got were 404 errors.

Plogue also kindly assembled a bunch of free samples for the SFZ player from Garritan, Digital Sound Factory, Analog Industries, Patch Arena, and Plogue as well! And they’re free!

Figure Drawing Challenge

 Art, Education, Technology  Comments Off on Figure Drawing Challenge
Jan 302015
 

I use art and photography to feed off of each other. So that one helps the other. Art helps me be creative with photography, and photography helps with art. Pencil Kings rebooted their Figure Drawing Challenge this January, and I had a blast. It was just enough work to learn some useful stuff and make good progress. My drawings are still too awful to share with the outside world, but I’m pleased enough with my progress for now.

I recommend checking out their site. I like their tutorials, and the challenges are great as social and artistic events.

The Best $50 Lens Ever.

 Art, Photography, Technology  Comments Off on The Best $50 Lens Ever.
Dec 272014
 

Okay, when I got the adapter, it was $150. But the lens itself was an amazing find.

I’ve had my A7 for a few weeks, and now my plan is to get rid of my Canon 60D and all of my Canon gear, except my IXY. I don’t need the extra gear.

I started looking around for a good telephoto replacement that I can adapt to my A7. I did a lot of frowning at the computer screen as I looked at some of the major online retailers, but it’s really hard to commit to buying a used lens I haven’t laid hands on.

We have a good local camera store that has a lot of used lenses, so I went by to take a look. They had a “mystery box” full of lenses they just got in, and I spent about 20 minutes looking through, until I found a great little Canon 70-210 f/4 Macro in an FD mount. The glass was perfect! $50, and it was mine.

I put it on my A7, and, uh-oh. It wouldn’t focus out to infinity. Was it the lens, the camera, or the cheap $30 adapter I got on Amazon a few years back for my Nex? Turns out it was the adapter. I picked up a Metabones adapter, which is in the middle of the price range for adapters at $100, and now it focuses out perfectly.

Since the 70, 100, 135 and 210mm lengths are all marked on the barrel, it means I can use the lens with the A7’s image stabilization, too! It’s a dual action focus/zoom barrel. Pull to zoom, twist to focus.

The macro part of the lens was a nice discovery. At 70mm, you can turn the focus into the macro zone and get up close. It makes this a great all-purpose travel lens. Honestly, this and my Leica 35, and I don’t really feel like I need anything else. The 35 for wide shots, and this for anything else.

I put both lenses and camera through their paces in the NC mountains, and got some great shots. I’m really enjoying this combo.

Sony A7 Mark II

 Art, Photography, Technology  Comments Off on Sony A7 Mark II
Dec 172014
 

After the JLPT in DC, I ordered the new Sony A7 Mark II body, and it showed up a few days later.

If you’re expecting stats, then move on. This is more of an impressions report than anything else. What I liked, what I didn’t.

My initial thoughts? Tinged with confusion because the manual wasn’t so hot. I wound up calling Sony because I wasn’t sure why some functions wouldn’t work with my manual focus lenses. Part of it was on me, but part of it was a slightly confusing message that kept popping up.

Once I got that sorted out, I fell in love with it.

The menu UI isn’t perfect, but the shooting experience with it is great.

The viewfinder fooled me a few times into thinking I was looking directly through glass. It’s really sharp. Better than the rear LCD panel.

The customizable C1-C4 buttons on the body make it a manual focus shooter’s dream. I assigned the focus magnifier to C2, so I just have to press it once or twice, and I can get nice sharp focus. Then I assigned the image stabilizer to C1, so I can set the focal length of my MF lenses with a button press, a dial turn, and another button press. That’s about as fast as you can make it. I put ISO on C3, so I can tear through my ISO settings, depending on what I want to shoot.

There’s a ton of customization in the menus. It’ll take a little while for me to tweak it just the way I want it, but there’s a lot I can either tweak or ignore.

The camera feels great in my hands, and shoots great. Is it loud? Who cares? Honestly, I don’t get the obsession over shutter noise on the A7 cameras. I guess it goes make a certain amount of noise, but not enough for me to care. I’m more into getting good shots. It does that!

The image stabilization is great. It feels like I get 2-3 more stops of hand-holding out of the camera. There’s a noticeable difference when it’s turned off.

It also has a well-thought out auto-bracketing mode, that I set on 3 shots 1 stop apart, and just left it there.

The NFC is useful if your phone does NFC, I guess. You need to download an app and you can control the camera with your phone. It’s kind of hit-and-miss. There’s a whole Sony app store for the camera. It’s kind of cool, but it’s also sigh-inducing, too. (Another user ID and password, and something else to manage? Ugh.)

What’s most important to me is that I can take the pictures I want without thinking about the camera. I think about the photo, and that’s about it. In that regard, this camera is great.

My only gripe is a lack of native full-frame E mount lenses that are affordable. There aren’t many full-frame lenses on offer, and the ones that are AF are all pretty expensive. I already have some Leica M glass from 10+ years ago, so I’m covered, but it would be nice to have one native full-frame AF lens. Gotta start saving on the side for that, I guess.

Oct 012014
 

Paying full price is for Suckers.

Ouch, that’s harsh, isn’t it? But it’s true. When it comes to music production software and hardware, just about everything software (and some hardware) goes on sale 2-3 times a year.

There are a few products that never go on sale, but those products are a minority. A small one, at that. The perpetual sale nature of the software industry makes me question what the real value of any of this is.

It used to be that gear would go on sale once or twice a year. Now, every month there’s a huge list of companies making desperate offers to get you to buy their stuff. So, if there’s always a sale on, is there really a best time of the year to shop? Yes, there still is.

When? Around Black Friday, right after US Thanksgiving. (Check before, just in case.) As an example, I bought Native Instruments’ Komplete 9 Ultimate, which usually goes for $1100, for $575 last Thanksgiving. And I bought a few other things at very steep discounts (like SynthMaster), because I am what? Cheap! (Well, cheap but impulsive when I see a really good deal for good software.)

Komplete 9 was on sale one more time after that, and that was this past summer, but the deal wasn’t as good as it was last Thanksgiving. Same for Synthmaster. It’s been on sale, but not as cheap as it was then.

Black Friday is a great time to gear up a new studio, but sometimes companies have once-a-year deals that are outside of that time, so it pays to keep an eye on things year round.

I have a few places I check on a semi-regular basis:

  • On the front page of KVR Audio (or just follow them on Twitter), check the What’s New feed, and click on Deals.
  • Or go to Rekkerd.org’s Deals page.
  • Also, look at Rekkerd’s “Deals Archive.” That’s amazingly useful for bargain hunters like us, because companies tend to repeat the same offers at fixed intervals. (Some are regular like clockwork!)

If something has just come off of a deal, then you’re going to have to wait a while for it to come on deal again. (Unless it’s a Waves Audio plugin. I swear, they have everything on sale all the time, or so it seems. In fact, Waves has sales every weekend.)

You can also get some crazy deals at plugin resellers. The two I use the most are:

Both are totally legit, but you may have to wait a day or two to get your license codes. Plugin Discounts tends to have bigger savings, but Plugin Boutique will give you cash back in the form of a credit, which you can apply to your next purchase. Shop around!

As an example: iZotope makes StutterEdit, which is a great glitch plugin. It retails for $249. It just came off of a sale at $99 on the iZotope website, but I found it on Plugin Discounts for $88.

$88 for a $249 plugin? Yeah, I can do that.

When you do decide to start buying plugins, please go slowly. Don’t go broke buying tons of them. Buy smartly. And when you see a synth or plugin you like, make a note of it, and wait for it to come on sale. Most will, eventually.

A Few Closing Thoughts

First, when you go to pick out a DAW, make sure of a few things: does it use VSTs, or does it have its own plugin format? (Reason and ProTools use their own formats for plugins.) If you want to go cheap, stick with DAWs that use VST for now. It’s not an ideal solution, but it offers the biggest variety and the most potential cheapness.

You can hook up a VST to Reason through a VST host application, but it’s one of those things that’s kind of a kludge, and I don’t know that it’s worth the trouble. Rewire Reason into your main DAW instead.

Most VST makers will let you sell your plugins to other people. (License transfers.) Reason does not let users transfer Rack Extension licenses. You can transfer the Reason license, but not the RE license. If that’s a deal-breaker for you, keep it in mind. Read those EULAs! Rack Extensions are pretty cool from a tech point of view, and they make Reason really useful, but it’s a walled garden.

Some DAWs, like Studio One Artist edition, won’t allow the use of external plugins. Whoops! Gotta buy a more expensive version there! Studio One is a good DAW, but read the fine print. Same goes for the Studio One Vocaloid Edition. It only lets you use the Piapro Studio plugin. The rest are all Studio One only. If you don’t mind that, Studio One is an excellent starter DAW you can usually get for around $80-$90, and the full version is around $200-$300.

If you want to use Nerve and Serum in your music, you better make sure they’ll run in your DAW first! Read the developer’s website, and check for compatibility! Some plugins just don’t work with some DAWs, and you won’t know until you pay and suffer.

When it comes to copy protection, there are a few different ways companies do it– the worst in my opinion are the USB dongles, because they ruin your ability to go portable. How can I hook up gear if I have a dongle in every USB port? iLok and eLicenser are the more egregious ones. I can’t run Cubase without a dongle, so I tend to run Ableton more often. Native Instruments and Ableton both have very good copy protection, in that it’s not aggressively annoying.

It’s sad, but I tend to avoid perfectly good software if it uses iLok or eLicenser. I hate being shunted off into that kind of copy protection, especially when I’m a paying customer. (Even if I am cheap.)

This leads me to my final advice: learn how to program! I mentioned it briefly in part two, but making your own gear in Reaktor, Max For Live, Bidule, or C++ is a great way to save a ton of cash. It’s also a great way to learn more about audio and how those sounds are made.

Stay cheap, do your homework, and don’t forget to make some kickass music!

The Cheap Guide to Making Music, Part 2: Free/Cheap Synths, Effects, Sounds!

 Education, Music  Comments Off on The Cheap Guide to Making Music, Part 2: Free/Cheap Synths, Effects, Sounds!
Sep 252014
 

We have our DAW and maybe some gear. One perfectly valid strategy is to simply use the included plugins in your DAW of choice. If you’re using Reaper, then it has all you need to learn with for now. Master that stuff, and come back here when you’re bored with it. Whenever that is.

If you want some external synths and effects, please go easy! It’s really tempting to get a bunch of synths, thinking, “I AM POWERFUL! SEE MY SYNTH ARMY AND WEEP!”

But the only one doing the weeping will be you. Because you won’t know which freakin’ synth to use. You may even forget which ones you have.

Get one plug-in or synth at a time, learn it, know it in and out, then it’s okay to get the next one, if you need it.

Some of the best artists limit their choices to free up their creativity. “I’m only going to paint with blue.” “I’m only going to draw dudes bowling.” “I’m only going to write angry songs about my ex.” In your case, how about, “I’m only going to use one synth?” Try to stick to that for at least a month.

Here are a few good starter synths, and they’re all free:

Get a Few Free Effects

What goes for synths goes double for effects. Go easy on the effects, because there are even more effects out there than synths. How many reverbs is enough? One, maybe two for now. Same goes for compressors, limiters, gates, and EQ. If what you’re trying to learn isn’t in the effect you’re using, then by all means, keep looking, but know when to stop and go back to making music.

So, here are some good sources for free plugin effects:

  • GVST has a ton of free effects plugins. (They have synths, too.) Their effects plugins are great for learning the basics, because they don’t fill up your screen with a lot of crap. They don’t necessarily sound the best, but they’ll do the job for now.
  • The KVR Developer Challenge is where devs go all out, make free plugins, and fight for prizes. It’s a great way to look for something new/free/cool.
  • Also, check out KVR’s list of the most popular plugins, and check out the Free category.
  • Also check out their Free News category, for the latest on free plugins.
  • Xfer Records has a page full of free effects to play with.
  • Limiter No. 6 is awesome, too. Download here.
  • George Yohng’s W1 Limiter is a nice Waves L1-style limiter for free.
  • Tokyo Dawn Records has some really good free effects, and some you can buy.
  • Voxengo has a nice selection offree effects plugins.
  • Audio Damage’s Rough Rider is a great free creative compressor. It adds a lot of squash, dirt, and crunch to sounds. It’s really good on percussion sounds you don’t like.
  • Luftikus is an awesome free equalizer that’s similar to the Maag EQ (download). It even has an “Air Band,” which will make everything sound like it was made at 11.
  • The Klanghelm IVGI Saturation and Distortion plugin adds some warmth and grit.
  • Sound on Sound has a list of their favorite free plugins, too.
  • Drummic’a from Sennheiser, available only from their German Site, is an incredible drum library. It comes with the free version of the Kontakt player. Grab a buddy who can sprechen Deutsch, and go at it. You’ll need to register with the site, activate it by email, then use the code for activating the sounds. It comes as a Kontakt library, but it’s awesome. And it’s free! We like free! (And it’s by Sennheiser, who make great mics!)

I’ll add more as I find them. There’s a staggering number of good free plugins out there.

Or, if you own Native Instruments’ Reaktor, Max For Live, or Plogue’s Bidule, you can make your own Synths and plugins, and save a ton of money. (Minus the cost of the programming environment, of course!)

Samples, Patches, and Instruments

This is a short section, because it links to some massive content. (Pun intended.)

This Reddit thread that contains an insane amount of drum samples and Massive patches should tide you over for a while. It’s useful more for the drum samples than the Massive patches, because we’re cheap here.

Here’s another Reddit thread on readers’ favorite free VST instruments.

Pay a Little, Get a Lot: Computer Music and DTM.

I recommend Computer Music magazine, specifically it’s 200th issue, because it comes with some great stuff, like the full edition of Cakewalk’s Rapture synth. Get the electronic version of the magazine through iTunes or Google Play, set up your username/password, and go download a bunch of free plugins. (If you use Google Play, when you go to download, tell them you got the magazine off Zinio. It works that way. There’s no drop-down for Google.)

One note about Rapture. Yes, it’s the full synth, but read the license carefully: it says no commercial use on the synth. So… yeah. Use it as a practice synth, then go buy the real thing, I guess.

A few of the included plugins are full versions, but most of these are “CM” versions of commercial plugins, which means that they’re functional, but kind of stripped down in a few places, because it’s hard to make a living off of free, and they really want you to go out any buy the full version.

It’s a great way to play with an unlimited demos. SynthMaster CM is essentially a “lite” version of SynthMaster you can play with as long as you want. (SynthMaster is one of my favorites, but not free. It goes on sale once or twice a year, though!)

It’s also a good place to get some free samples, because each issue comes with free samples. Buy a few issues, and you could build up a seriously crazy sample library.

Computer Music (CM) is also great for reviews. They’ll tell you if something sucks, so you’ll save money. (So will the posters at Gearslutz. In fact, they’ll tell you a lot of things suck. If they all say something is good, then it’s probably godly good.)

CM also has a ton of tutorials that come with each issue. Not to sound like a shill, but for a few bucks a month, it’s a great deal.

If you don’t care about Rapture, then just get the latest issue of CM, and you can still get some sweet gear for “free.” Well, minus what you paid for it. I think it’s like $5 an issue, or $40 a year. Your money, your call.

If you’re into the Japanese music scene, can speak the language, and can spare the money, try to hunt down DTM magazine. They also have a lot of tutorials, reviews, and free plugins. But it’s paper only, each issue is around 1500 yen, and that doesn’t even include the shipping, which can get ridiculous. (And I did say it’s in Japanese!) Cheap-ish if you live in Japan or near a Japanese bookstore, though!

Spend $130 to Never Buy Patches Again!

Now that we’re spending a little money, I’ll recommend one other thing I know, and that’s Syntorial. It will save you a stupid amount of money on patches, because you will learn how to make your own damn patches. (As you should do, anyway!)

It’s a program that teaches you how to use a synth, one knob at a time. Then it teaches you how to use your ears to figure out how sounds are constructed. It’s brilliant.

You watch a short video, then do exercises, watch more videos, do more exercises. You can quit whenever you want, but it gets addicting.

In my next (and last) post on this, I’ll give you my “How to buy plugins like a cheap badass” advice.

The Cheap Guide to Making Music, Part 1: Get a DAW!

 Education, Music  Comments Off on The Cheap Guide to Making Music, Part 1: Get a DAW!
Sep 222014
 

To make music these days, you need a DAW (Digital Audio Workstation.) There are dozens of different programs that will do the trick, and most of them have horrifyingly high price tags. So to save yourself from the ultimate beginner misake, which is, “Oh my god, I bought this DAW, it cost $700, and I hate it more than doing my taxes,” let’s look at this rationally.

Getting a DAW from my point of view is a process where you’re going to first learn how to use a DAW, and then go shopping for the DAW you’ll be using for the next few years.

How do you learn how to use a DAW without a DAW? Easy. Get a starter DAW. Use it to learn what the basics of music production, then you can shop for a DAW intelligently.

There’s no better starter DAW than Reaper. (Or any DAW that comes bundled for free with software you buy, I guess, but I’m going to assume you’re not buying anything, because this is for Cheap People.)

So why Reaper?

Because Reaper has an extremely generous demo. You get a 60-day full working demo. After that, if you keep using it, you should pay the $60 for the amateur license. (Because nobody likes leeches.)

Download the 32-bit version for now.

Why 32-bit? Because you can run all the plugins that way. Not all plugins are available in 64-bit versions yet, and some older plugins will never be available in 64-bit, due to their age, or because the developer doesn’t want to re-code them. You’ll only need to go 64-bit when you start making monstrously huge tracks. Until then, 32-bit is fine, and yes, 32-bit Reaper will run in your 64-bit OS.

Seriously, Reaper will even run on OS X versions 10.4-10.5 on PPC macs. It’s amazingly flexible.

Now go learn the basics of Reaper. Try Tutorials for Reaper’s YouTube Channel for starters. Or just do a search on YouTube. (This is the cheap guide, after all.) If you happen to have a subscription to Ask Video/MacProVideo.com, they have good tutorials on Reaper, and a ton of other stuff, but it costs money, and this is the Cheap Guide.

You can also read the fine manual.

What About Hardware?

Ah, you need a keyboard, monitors, and a USB audio interface, right? Well, maybe.

Since you’re just starting out, and maybe you’re just seeing if it’s interesting to you, I’d say hold off for a bit. This is a hobby that can get really expensive, fast.

A new crappy MIDI keyboard, runs $100. (Good ones can go over $1,000.) A USB audio interface runs $150 for a cheap one, and a cheap pair of monitor speakers starts at $100, and $100 monitors really suck. Really, really suck.

If you have to get anything, then I’d say it’s okay to a MIDI keyboard, but hold off on the other stuff, unless you need to record live instruments… in which case, why are you going cheap???? Read some other guide.

Cheap MIDI keyboards are all the same, with sloppy action, few controls, and a general cheapness that means they won’t last long. M-Audio makes a good generic crappy MIDI keyboard. If it’s like my old M-Audio keyboard, it’ll mysteriously die after a year or two. Not even my pencil could save it.

For a USB interface, I like my Focusrite Scarlett 2i2. It’s a stupid-cheap USB audio interface. It’s not the sexiest or fastest, but it gets the job done for me. I use it with some KRK-6 monitors I got on sale. They’re not great, but they’re good enough. But even those cost around $350 on sale.

At any rate, we’re not aiming to release a record right off the bat, so it’s okay if your gear is on the OEM janky side for now. Improve it as your budget allows.

My Two Iron Rules of Music Production

Before you go shopping, keep these two rules in mind. They will save you a lot of cash, and a lot of headaches down the road.

Rule One: If you can, demo the hell out of everything before you buy it. If you can’t demo it, make sure there’s a good return policy. (At least a month.) If anything feels off or uncomfortable, don’t buy it/return it. That slight discomfort in the keybed you feel? That isn’t ever going away.

Rule Two: Ignore the hype and look at the product carefully. Every single product out there has a slick marketing video with professionally made sample tracks alongside it. Don’t get suckered in. That guy making sweet music with the cool box of lights or whatever random VST? Yeah, he’s a pro. He’s got years of experience, and he probably spent at least a few weeks working with the product in question, and knows it way, way better than you do. Take the hype and dial it down a notch.

I’m not saying some of this stuff isn’t awesome– some of it is! But it’s like a great pair of size 9 yellow shoes. If you’re a size 9, and like yellow, then hot dog! This is for you! But not all of us are size 9, like yellow, or even need another pair of shoes.

So do your research and buy gear carefully, or just do it later, when you have a better idea of what you’re doing. (I recommend the latter, but I understand the former.)

Next, we’ll start looking at free synths and effects plugins! Yay, finally!

The Cheap Guide to Making Music, Part 0: Get Some Knowledge For Free!

 Education, Music  Comments Off on The Cheap Guide to Making Music, Part 0: Get Some Knowledge For Free!
Sep 202014
 

I’ve been kicking around the idea of making this kind of guide for a while. Why? Because every day on Reddit, I see 2-3 posts of the, “I want to get into EDM or EMP, but I only have 35 cents in my pocket right now. How do I do it?”

First, you need to get the right attitude towards doing this. It’s going to take a while to get good at it (I’m still not good), so you need to have your expectations set at the right level.

It’s Okay to Suck at First

Listen to Ira Glass, who is talking about producing news for radio, but this advice applies to everything. See? Even he sucked for a long time before he started to get good. So it’s okay for you to suck.

Now, I hope you’ve adjusted your expectations accordingly, so you don’t feel like you want to jump off of a building if nobody likes your first song, or even your first fifty.

It’s cool! We’ve all been there. That’s how we learn.

It helps if you focus on not sucking. (This is a great article to keep in mind.) But it’s hard to not suck at first, especially when you don’t know what you’re doing, so don’t beat yourself up too much.

The same guy who wrote the article on how to not suck wrote this excellent article that you need to engrave upon your soul. You really need to read this before you make the mistake of wasting a lot of time and money on stuff you don’t need.

Step 0: Now Get Some Knowledge (But don’t go overboard.)

Before you do anything, buy anything, whatever, go get some knowledge, but don’t bury yourself in it. Get enough so you know the basics, understand what you’re doing, then move on to making music. Don’t get caught on the hamster wheel of over-training. There’s a fine line between getting knowledge and never getting off the starting line.

This also goes for things like shopping for gear, talking on forums, etc. I’ve talked about this before with respect to Japanese– it’s the meta game. It fools you into thinking you’re doing X, but you’re not. You’re talking about X, you’re preparing for X, but you’re NOT doing X.

With that caution in mind:

Coursera has a bunch of free music classes. Look for the Berklee classes:

Or you can just take apart your favorite songs, and try to rebuild them yourself. Your call. I found the classes to be pretty useful.

Other resources:

  • Dave Conservatoire, which is kind of like Khan Academy for musicians.
  • Music Theory, the TL;DR version is a free/pay what you want PDF book.
  • Musictheory.net has a lot of resources for learning theory on your phone or PC.
  • Hooktheory is another phone/PC app/book combo with some cool stuff in it, too. Hooktheory’s “Theorytab” is really useful for figuring out chord progressions from a lot of famous songs.
  • Kunst der Fuge will give you total access to all of its MIDI files and PDFs for a one-time 20 EUR fee. Analyze away, or just add the MIDI files to your chord progression database.
  • The Dance Music Manual is great if you want to get into EDM. It’s a brilliant book. Rick Snoman has forgotten more about producing than you’ll ever know. Yes, you have to spend money on it. But it’s not much money, and you’ll get a ton out of it. This is a good way to avoid sitting through 8,000 hours of videos.

There are some great YouTube channels out there, too. In no order I like:

  • ADSR Sounds for Reaktor and Massive in particular, but they do a good job on all Native Instruments software.
  • Sadowick for Ableton and general music production advice.
  • Seamless for FL Studio, IL’s plugins (like Harmor!), or Serum.
  • ArtFX for Massive and other plugins.
  • SonicState for witty banter, music production news, and reviews.
  • DubSpot for a variety of tutorials for a lot of DAWs
  • Point Blank Music School for all kinds of tutorials.
  • Tom Cosm knows a ton about Ableton.
  • ScanProAudio has some great Push tutorials, and a lot of other useful info.
  • Pensado’s Place, because he is a god of ProTools, and even if you don’t use PT, he knows so much about producing, it’ll make your head spin. Really good stuff.
  • ReasonExperts for Reason
  • TherSiteZ also for Reason (and his awesome voice!)
  • This video is part of a series on How Music Works. A good watch.
  • Part two, Part Three, Part Four, and Part Five of that series.

And many more!

Pick one or two primary sources, finish them, and then see what you want to do next. Use the YouTube videos as sources of inspiration.

While you’re at it, find someone to teach you piano or keyboard. If YouTube doesn’t do it for you, then check out your local community centers. You might find something cheap there.

I love the Older Beginner’s Piano Course. Book 1, Book 2.

And remember to make music!

Mac Pro Video

 Art, Education, Music  Comments Off on Mac Pro Video
Sep 152014
 

I own a couple of Macs, but the newest one is a Mac Mini from 2006 or so. So why did I sign up for Mac Pro Video? Well, it wasn’t for Mac-anything. I found a good deal on their site– $15/month for as long as I want. And since I also finally bit the bullet and signed up for Creative Cloud, MPV looked like the best compromise for me.

I’m really into music production, but I’m also really into visual arts, web design, and programming, even. MPV has some absolutely awesome video series on music production, covering not only theory, but also DAWs, and some of the harder-to-get-used to plugins. And while there are a lot of great dudes on YouTube with great info, MPV has some great tutorials. I especially loved their series on Ableton’s Push.

And now that I’m getting in to Creative Cloud, the tutorials should come in handy,  rather than spending a couple of hours trying to find good YouTube videos. It should be a nice complement to Pencil Kings. (The Photoshop tuts there were great, as are a few of the drawing tuts I’ve been working on.)

The JOI of the N1.

 Education, Japanese Language  Comments Off on The JOI of the N1.
Sep 012014
 

I just registered for the JLPT N1 again in December. This time I’m really serious about it. As in, I’m pulling out all of the test prep stops! Or at least I’m not going to go get a cert in the middle of studying for it, and sabotage my efforts.

I signed up for classes on JOI again. I like their system. You buy some tickets (the more, the cheaper, and the longer they last), and use them on classes whenever you can take them. I generally buy them in yen, because they’re slightly cheaper. (And since the yen is plunging, it’s a good deal.) They have classes aimed right at N1 level people like me (or who aspire to pass it, anyway!), and they also have special courses in vocab, grammar, conversation, and test strategies. It’s all really helpful.

And I like it more than a MOOC. Maybe I’m a little old-fashioned, but I like real human interaction in my learning, especially when it’s something like Japanese, which requires some immediate feedback.

My other strategy for the test is something I’m already working on, and that’s working on vocabulary. I have my big book of 2000 N1 level words I should know (meh, not really, but I’m going to!), and a few other books, like one on 慣用語 (idioms, I guess?) and a Kanzen Master N1 book on 漢字.

I’ve also ditched Anki for now. Farming vocab, doing data entry and all that is too much of a pain. Instead, I got some Campus vocabulary notebooks over at JBOX, and I’ve been rapidly filling them up. This is where the 0.3mm Kuru Toga shines– at filling in the small boxes! Writing vs typing, which is faster? Neither, really, but this is working for me. It’s a nice change of pace.

The notebook has 3 columns– Foreign Word, Pronunciation, and Japanese. I put the word I want to know (kanji or hiragana, if there’s no kanji for it commonly used) in the Foreign Word column, the pronunciation in hiragana in the Pronunciation column, and either English or Japanese definitions in the Japanese column. Whatever helps me remember best.

It’s nice, because I can just grab a notebook, half-open it so that only the Foreign Word column shows, and scan down it to check my understanding and pronunciation.

I use the Page column to put a horizontal mark next to words I have trouble with. If a word has a lot of marks, it gets more attention.

It’s really the same thing as Anki, I just find it faster for me to review– no pressing buttons, or guessing whether it’s a 2 or a 3, or dealing with percentages. I keep staring at words until I remember them. Also, I keep separate notebooks, one for the N1 book, one for the 漢字 book (because a lot of it is verbs), and one for the 慣用語 book. And I have a few others, too, and a stack of blank books.

Reading-wise, I’m reading the editorials on Shasetsu Hikaku-kun whenever I can. I’m not a fan of reading right-wing Japanese editorials, but the vocab is useful. So is the reading practice! When it’s N1 time, there’s just NO time to do the reading, so I want to smash it to bits.

Listening is the only area where I don’t have a perfect countermeasure yet. I’ll probably go with my old Drill and Drill book.

Here’s hoping I can finally kill that N1 with fire!

Ya Big MOOC.

 Education, Technology  Comments Off on Ya Big MOOC.
Aug 202014
 

I went back to Udacity in order to finish up some programming courses, and because they were offering a deal. It’s been a while since I did any work in Python, but it’s funny how quickly it comes back to you. (Well, mostly.)

The only thing that’s kind of weird is going back over all the work I’ve already done. It feels like someone much smarter than me has already done a lot of this.

I’ve also been finishing up a Coursera MOOC on Music Theory, just to refresh a bit. It wasn’t bad, but the class felt kind of rushed towards the end. Really rushed! It was a good class, but the final exam was a little unreasonable, based on the amount of experience a lot of the students had.

I think the faculty had a “Well, this is obvious, isn’t it?” moment, when, “No, this is not obvious to a beginner. This is far from obvious,” is what they should have realized.

Still, right up until that point, it was very good. And I still got my PDF diploma (or whatever), so it’s all good.

And now I know what a hemisemidemiquaver is. But I’m still going to call it a 32nd note. And no way will I call a quarter note a crotchet. Makes me feel dirty.

But other than that, it was pretty good!

I’ve taken a lot of MOOC classes, on a bunch of different platforms, and I like the Udacity model the best– there’s no “You can only take this class NOW” problem. Take it whenever you want.

Coursera is too traditional in its approach, from my point of view, and some classes place far too much emphasis on the social aspect of learning. Honestly, I rarely, if ever, have time to use the forums. I barely have time to do the classes, and you want me to waste time in the forums? No thanks. If I want to socialize, I do it in the real world, or at least over Skype or voice chat.

The time pressure of Coursera isn’t fun, either. If I’m learning for fun, I want to learn at my own pace. Especially if I’m paying for it.

But! Coursera has an outstanding variety of classes, especially in Business and Music. I finished up a Marketing class offered by Penn’s Wharton School of Business. That was pretty interesting. And the music courses offered by Berklee are interesting. Sometimes I’ll drop the $50 for the certified certificate, but I have a hard time justifying that for something like Songwriting.

Oh, I took a look at the edX Linux class. My eyes glazed over at the cost. Really, guys? I get that you’re a non-profit, but that’s a crazy amount of money for what I can get from some YouTube videos and RTFMing a bit. A lot of the first week’s videos were just ads for the Linux Foundation, and that did nothing for me, either. I dropped it. I don’t have time for it.

It’s too bad. I was really excited about this course, and about edX, but the amount of money they ask for is just way too much for what’s essentially a DIY course. Coursera has already set my expectations at the appropriate level– $49 for a certified piece of paper is about right, considering it’s “college lite.”

I’m not a huge fan of the amount of money Udacity wants for its certified courses, either, but the coaching is useful. edX just wants the money, no coaching. As mom would say, “Das geht nicht!”

Pencil Kings

 Art, Education  Comments Off on Pencil Kings
Aug 042014
 

To improve my photography, I work on my visual sense. So I draw. To work on drawings and photography, I use Photoshop (and other programs). But my drawing has always kind of… what’s the word?

Sucked.

Yeah, that’s it.

Well, I kept hearing good things about Pencil Kings, so I’m in the middle of giving it a shot. In particular, I’m working on Sycra Yasin’s very thorough tutorial on painting in Photoshop. It’s a really good way to sharpen up those Photoshop skills. For photography, I use Lightroom more often, simply because I think it’s a better tool than Photoshop for dealing with a giant pile of photos without that… Photoshop look.

So far, I’m digging the info in the tutorial, even if I’m sick of drawing the pears and apple. Oh well. That’s how practice is. You draw the dull stuff to make the cool stuff.

It’s worth giving a look. The pricing isn’t too bad– $99/year or $250/lifetime. I’m giving it a year, and if it works out, I’ll do the lifetime thing.

Mid-Summer Scribbling (Pencil Pondering?)

 Art, DIY  Comments Off on Mid-Summer Scribbling (Pencil Pondering?)
Aug 022014
 

One of the things I enjoy doing is drawing. I totally suck at it, but it helps me think about composition and other “visual stuff” that helps me with photography and videography.

I was looking for some good pencils to draw with, and I sort of stumbled into the world of 2mm lead holders. They didn’t change my ability to draw or anything, but they sure lightened up my pencil case. (And my wallet.)

Here’s some stuff I found that I like, and some stuff I don’t like as much. It may be of referential use to someone, so I figured I’d put it up here.

Also, thanks a ton to the Lung Sketching Scrolls for a lot of useful background info on pencils, lead holders, etc. He plays with a bunch of different art supplies, so we don’t have to.

Part of what I wound up doing was based on his advice, and part of it was based on my own experience. In the end, you’re going to have to figure it out on your own, but here’s some data that might be useful as a reference.

2mm Lead Holders:

I love 2mm leads because unlike .5 or even .3 mm mechanical pencils, you can sharpen them. (Think about it– that 0.3 mm pencil? Yeah, it’s flat on top, unless you’re using a Kuru Toga.) Also, unlike those mechanical pencils, they don’t snap as easily. They still break, and when they do, it’s a pain, but it takes a lot of force to break them. And I draw with a lot of force.

Generally, you can get good 2mm leads in the range from 7H to 4B. Yes, 6B 2mm leads exist (Prismacolor Turquoise), but they’re so soft that they break at the slightest pressure. It’s a frustrating experience.

A good 2mm lead holder will get you a pretty decent range to set light to mid-dark grays. Which is a lot, really. I wind up carrying 4 of them with me, with a 7H, 2H, HB, and 2B. I really wanted the 6B to work, but it just crumbles when I put any kind of force into it.

I found a Staedtler 4B that I like for mid-darks, but like anything softer than 2B or 3B, it’s more likely to break if you put force into it. Physics.

When it comes to the lead holder, it’s really a question of personal preference. I’ve tried a few, and I love the Faber-Castell TK9400. It’s smooth, has a lot of flat sides, has no knurling on the barrel, and no annoying clip. I can twirl it around in my hand as I draw, keeping the tip sharp longer. It’s just a lovely lead holder. And it’s pretty cheap, too.

Then there’s the Staedtler Mars Technico, which is pretty easy to find at just about any large Arts and Crafts store. It’s pretty good, but I don’t like the aggressive knurled metal grip on the end. It comes with some nice HB leads, though. Staedtler makes excellent 2mm leads. It’s a good backup to have, just in case.

I used to really like the Art Alternatives 2mm lead holder, which had a removable clip (took a little force), and with the clip removed, became very twirlable in my hand, just like the TK9400. In fact, maybe a little too much like the TK9400, because that version can’t be found anymore. It’s just as well, because it’s also not very sturdy. I pressed too hard on the lead ejector button, and the metal collar on the bottom of the holder went flying across the room. I never found it. No idea where it wound up.

Art Alternatives’ current 2mm holder is pretty similar to the Technico, but after having two of the previous version send parts flying, I can’t recommend them.

Grip Trick:

For keeping a good grip on these lead holders and for telling them apart, I spent a dollar on 4 different colored pencil grips. They make it easier to twirl the lead holders around, and the colors help me tell which is which.

Also, for knowing what hardness is in which lead holder, I put a piece of artist’s tape on the top, near the plunger, and write the hardness I’m using on it. If I change leads, I erase and re-write. That’s in case I forget which color is which.

2mm leads:

Most of the leads I have are Turquoise by Prismacolor leads. A local store sold a bunch to me cheaply, so I bought a range of leads from them. Turquoise leads generally come 12 to a box, and they’ll fit any 2mm lead holder.

I have them in 7H, 3H, 2B, 3B, and 6B. They’re all pretty good except the 6B, which breaks too easily for me. If you have a light touch, maybe it’d work, but with any force the lead snaps. I use the 7H a lot for preliminary sketches. It holds a point really well. (Well yeah, it’s a 7H.)

As I mentioned above, Staedtler makes an excellent HB lead that they sell with their Technico holders. It’s robust, holds a point pretty well, and doesn’t disappoint me either. I picked up a box of 12 of those, and 12 of their 4B leads. The quality is solid. But the box is kind of annoying to get leads in/out of.

Faber-Castell also makes a set of 2mm leads for their holders. I’m trying their 2B leads right now, and I’m pleased. They’re a little longer than the Turquoise leads, and have an easier box to get in and out of. They’re longer than the Art Alternatives holders will allow, but if you sharpen the end in a rotary sharpener, it works out fine.

Get whatever’s easiest to find/cheapest. I prefer the Staedtler and Faber-Castell to the Turquoise, but it’s not a huge difference.

3.2mm:

I accidentally bought a Lamy Scribble, thinking it was 2mm. This happened when I was first trying to figure out lead holders. I misheard the guy at the store. It’s a great lead holder, and it feels great in my hand. It feels even better when I removed the pocket clip, which just unscrewed from the top.

Finding 3.2 or 3.15 mm leads takes some effort. Lamy only makes 4B leads, which is fine for mid-darks, but that’s it. They’re also short and the refills are overpriced, from my point of view. Worther makes a good 7B for nice black blacks, and you can find them on eBay. Stabilo makes a good HB, too. I generally leave the 7B in the Scibble, to do the really dark stuff. But be careful– 7B is soft, so it will break.

There isn’t an easily obtainable rotary sharpener for the Lamy. I found a sharpener by KUM, but it’s slow. I wish Lamy had put a sharpener in the head, or made some provision for sharpening the thing, considering the price. The Scribble has been relegated to dark tone duty, which is kind of sad, given how expensive it is, but it’s a pain to keep it sharp.

5.6mm:

Yes, these exist. Out of curiosity I picked up a couple to see if I like the experience. I got a “Creative Mark” holder for $5 at Jerry’s Art-o-Rama (because I go by there every now and then.) It came with some 4B leads, which I wound up giving a miss, because they were the famous “no-name” brand. I also ordered an Alvin Hercules off of eBay to see if there’s any difference based on the holder. I found the Creative Mark to feel just a touch more comfortable. The Hercules also feels pretty good. It’s smoother than the Creative Mark, which feels a little grippy with its rubberized surface. It also has a handy spinnable indicator on the back to let you know what darkness of leads are in there.

Alvin has you covered for mid-dark to dark leads in 5.6: I found them in HB, 2B, and 6B. And they don’t break easily. (Probably because they’re so big.) So I have one in 2B and one in 6B. If I could find a good 8B or 9B lead, I’d be happy.

Sharpening is kind of a pain. The Alvin Hercules has a sharpener in the cap, but it’s not very good. I prefer to use a cheap KUM drop-down pencil sharpener, but really any pencil sharpener will do, if you hold the lead centered in the hole, or center and stick a 5.6mm washer over the opening. (I should do that sometime.) Sandpaper always works, too.

Kuru Toga:

For writing, I’ve gotten into the Kuru Toga mechanical pencils by Uniball. The concept is interesting. There’s a gear that twirls the lead by a small increment every time you lift the lead from the page, so it’s supposed to keep your lead really sharp. In practice, it works pretty well, especially for math formulas and printed handwriting, and stick with HB or darker lead. If you write a lot in cursive, it doesn’t help much, because the lead doesn’t lift from the page enough. It helps keep the point sharp when I write in Japanese, or when I print in English.

Drawing is okay, but the line is too uneven for my taste. I don’t like how the sharp tips “bite” into the paper, and I don’t like how the pencil feels in my hand for drawing. Use it for writing. That’s what it’s intended for.

Some reviewers say that it’s vital to get the Japanese over the US version, but I don’t share their experiences. I find the US version to work just fine, and it feels more comfortable in my hand, especially the 0.5mm version. I’ve used them in 0.3, 0.5, and 0.7mm, and I like the 0.5mm the best for writing. 0.3 seems like it would be more precise, and it is, but it breaks too often for my taste, and it tears paper quite a bit, too. It likes to “bite” the paper a lot. 0.7 squirms too much, and feels like I’m fighting it. 0.5 is just right. It doesn’t squirm as noticeably, doesn’t break as easily, and doesn’t bite as much.

If you can find them, the new Uniball diamond leads are sturdy and do a good job, but they’re a little on the pricey side. I tried using 2H with the Kuru Togas, but the lines were waaay too light for handwriting. I switched over to HB and 2B, and things got a lot better. The leads still snap off every now and then, but it’s my favorite mechanical pencil now.

Erasing:

Finally, a word on erasers I love and find to be indispensible. I love the Tombow erasers, especially the Mono Zero round 2.3mm eraser. It’s great for getting into small details and cleaning out pencil roughs. (As soon as I can find one in stock, I want to get the rectangular one, too!)

Slightly bigger, but still handy, is the Paper Mate Tuff Stuff Eraser Stick, which is wider than the Mono Zero, but feels slightly beefier, for fiddly erasing that requires more “oomph.” Also, it’s easily available in the US. (Like at Jerry’s Art-o-Rama.)

Finally, I always have a couple of Pentel elastomer block erasers with me, and a random kneadable eraser or two.

What’s great about this setup is that it’s amazingly portable. I can fit all of it in a small plastic pencil case. Four lead holders, one or two of the bigger ones, a few spare leads, a sharpener, and a couple of erasers, and I’m set.

Getting to that point was a bit of  a lot of  hassle, and I wound up with some surplus stuff I’m never going to use, but it’s worth it if I can get to this kind of happy portable setup.

Fireworks!

 Photography  Comments Off on Fireworks!
Jul 052014
 

I went with my GF and her mom to the local fireworks display. This year, I was going to get the photos right! I studied! I had the right tripod! I was ready to go! (I even bought earplugs, because it’s always so freakin’ loud here.)

And then with 2 minutes before it all started, a group of people sat right in front of me and screwed up my setup. Thanks.

Undeterred, I improvised as best I could, but by the end of the show, I found out that my focus had shifted all the way to the wrong side.

I’m going to take a look at the photos soon and try to salvage a few. If it’s possible, I’ll post them here.

Beach Report

 Travel  Comments Off on Beach Report
Jun 222014
 

I just got back from a week at Wrightsville Beach, NC, with my extended family. We’ve been doing it for years, with only one missed summer (when I graduated from high school).

As the years have gone on, the number of participants has grown. I think we’re at around 14 people, and when my dad’s cousin and his family come, it goes up to around 21 people. (Depending on who’s coming, who’s bringing a significant other, etc.)

It can get a little nuts.

Fortunately, my dad’s cousins only visit for the day. If they spent the night, sleeping would become… interesting.

The house we stay in has 6 bedrooms, each with a bath. That makes it manageable for 14. It’s essentially two town houses glued together in the middle, with a giant common area. Each side has its own kitchen. On one side is the living room/den (kids’ side), and the other side is a big dining room (old people side).

What makes the house great is that it’s oceanfront, and that we can rent it, rather than dealing with the hassle of owning it. Owning a beach house is like buying a sick pet. You need to pour in a ton of money and attention to keep it from falling apart, and at some point, it’s going to leave this world anyway.

Why? Hurricanes. They eat beach houses. And if the hurricane is bad enough, and moves the mean high tide line too close, you won’t be able to rebuild.

So we rent, because it’s easier.

Regardless, it’s great that I know for sure I’ll have a chance to spend some time with my extended family every year. That means catching up with my cousins, aunt and uncle, and my little second cousins. (Not so little anymore, though!)

Kindle Paperwhite: Powerful for Japanese Study

 Education, Foreign Languages, Japan, Japanese Language, Technology, Travel  Comments Off on Kindle Paperwhite: Powerful for Japanese Study
Jun 052014
 

I finally bit the bullet and bought a second Kindle Paperwhite, this time for my Japanese language library. And I don’t regret it one bit. It has become an incredibly powerful tool for improving my Japanese, because I read more books, faster, with the Paperwhite than I have with any other reading platform.

And I’ve tried a bunch of different ways to read Japanese books.

Note that some of these are perfectly fine for English language books, but I’m judging them on their usefulness as Japanese learning tools.

I have tried:

  • Paper Books and an Electronic Dictionary.
    • Disadvantages:
    • Not portable
    • Slow lookups disrupt reading
    • Tiny text kills my eyes.

 

  • Vertical Text Viewer (for Android).
    • Disadvantages:
    • Lookups are easier, but require an external app, which can’t search online dictionaries if I’m on a plane, so EPWING dictionaries have to be added.
    • Only Aozora Bunko formatted e-books work with it. That means I can access a library of out-of-copyright books, but nothing current. (Not legally, anyway.)

 

  • OCR Manga Viewer (for Android). Takes images, OCRs selected text, and offers a list of possible definitions.
    • Disadvantages:
    • Supported file format is scanned images, so no legal way of getting current titles, unless I scan every book I buy page by page.
    • Constant dragging and selecting finicky text selection tool gets annoying after a while.
    • Even if there are scans, if the scan quality isn’t perfect, the OCR software will have issues, so I’m back at the electronic dictionary stage again.

 

  • Amazon Kindle App (for Android). Updside: You can save a lot on shipping, and you can make text bigger. Long press on a word to look it up. (See disadvantages!)
    • Disadvantages:
    • There is only one dictionary. It’s Japanese-Japanese, and you better like it, because you can’t use any others with the simple long press function. The other option is search in another book, which is slow.
    • Most books are text files, but a small portion are scans. If you wind up with a scan of a book you want to read, you will have no way of looking up words inside the program.
    • The dictionary search function does not de-conjugate verbs, which makes the dictionary useless.

 

  • Google Play Books and Magazines App (for Android). Updside: I couldn’t really find one.
    • Disadvantages:
    • No dictionary I could find.
    • Couldn’t find any current popular Japanese books in the Play store. Couldn’t access the Japanese Play store without a VPN, and even then, Google sent me back to the US store.
    • The only books I could find were all scans of out-of-copyright books, or books I’ve never heard of by publishers I’ve never heard of.

 

Why Paperwhite?

So there you have it. Nothing really works the way I want to, well, except for the Kindle Paperwhite. Kind of. The Paperwhite is a bit of a mixed bag, but overall I think it’s the best way to read Japanese books on an electronic device.

The Paperwhite has the long press to look up a word feature that the Kindle app has, which it turns out is incredibly useful, because you can add extra dictionaries to the search. So if I can’t find a word in one dictionary, I can select another and another, as many as I have on the device. And I’m not limited to just Japanese-Japanese, I can get Japanese-English, etc. (I recommend getting one of the EDICT-based Japanese-English dictionaries. They’re cheap and good enough.)

Also, the Paperwhite will de-conjugate any verbs it comes across, making the dictionaries useful again.

The e-ink display is incredibly easy on the eyes, even for long-term viewing, and doesn’t guzzle battery, making it a good choice for long flights. Text can be enlarged, too. It looks really good.

It comes with a 単語帳, which records every word you look up, and lets you go over them as flash cards. Not as versatile as Anki, but a hell of a lot less fussing is involved. And it automatically shows you the sentence you were in when you looked up the word! If it only did SRS, it would be perfect. Oh well.

Using it, I’ve been plowing through books at an alarming rate. Alarming in that I’ve never been able to read Japanese this fast before.  I’m being serious here. I’ve tried a whole bunch of different ways of going about it, but this gives me the most enjoyment with the highest overall comprehension. And I can try books that may be a little too hard for me, because I have the dictionaries to fall back on.

Early on, manga looked bad on it. Really bad. But lately, publishers have gotten on board, and while it’s not as good as holding a real 単行本 in your hands, it’s good enough for travel. You can even zoom in on images with a comic reading mode that isn’t too bad. It’s not going to be everyone’s cup of tea, but it’s getting a lot better. (I wish Amazon would come out with a bigger Paperwhite that did manga at a bigger size for ease of reading.)

I’m saving the biggest plus for last: what I’m saving on shipping and space taken up by books. It’s incredible. Oh, sure, I’m a bibliophile. I am surrounded by books. But I am not against using an e-ink device to read material like fiction. I just don’t care much about that. (Art and music are different. I like those on paper. Same with manga. Give me paper books… unless I’m traveling. Ugh.)

Now, it does not come without drawbacks. And they may be deal-breakers for some of you.

What it won’t help you with.

For starters, setting up an account with Amazon Japan in order to get access to the books takes some work. Amazon US has Japanese books, but the selection is a mess, and all the titles are in romaji, making it a big useless pile of nonsense words to me. I don’t do romaji, and nobody should have to in order to read Japanese books. Also, Amazon US doesn’t have anything I’d even want to read if I could find it. We’re back at the publisher problem. 20th century business practices in the 21st century. Ugh.

Also, if you already have a Kindle Paperwhite and use it with another Amazon, like Amazon US or UK, then go buy another one. The only way you can use one Paperwhite for both accounts is to constantly wipe it and reset it. Yes, I think that’s dumb, too, but there you go.

And don’t try buy a Paperwhite from Amazon Japan. Even if you use a service like Tenso, they will send you a polite warning never to do that again, or else your account will be closed for good. It’s odd, but they don’t care if you buy anything else and have it shipped to the US by a third party, but if you do it with a Kindle, there’ll be hell to pay.

The device itself tends to get slow over time. Hold down the power button and reboot it if it starts acting sluggish. I usually have to do it once a week or two.

Sometime Amazon Japan will have issues with my credit cards, for no apparent reason I can find.

I can’t find a good way to get at my 単語帳 outside of the Paperwhite. That kind of sucks. I’d love to be able to export it to Anki. So much for that.

There are a lot of books not available as Kindle versions yet. A lot of books I really want to read. And some Kindle versions don’t come out until a month or two after the print version. But with patience comes big savings, and it also keeps me from over-buying. I only buy what I intend to read right now.

Finally, the DRM. It’s annoying. But it’s the trade-off I knew I had to make when going Kindle for Japanese. On the upside, as soon as a book is available in the Kindle store in Japan, I can be reading it if I so desire, at a fraction of what I would usually pay for having the real book shipped.

Summing it up.

So my advice to aspiring learners of Japanese is to get a Paperwhite. But first set up a test account with Amazon Japan and make sure you can buy books from them. Maybe try it on another device first, like an Android or iOS device.

Were I Amazon, I would publicize the heck out of this as a learning tool. The Japanese government is desperate to get new workers into the country, and to help teach people Japanese. This device would be a great tool for that, while also giving overseas fans a legit way to buy into “Cool Japan” without hassle. Everybody wins. Really. Everybody. (Well, except for DHL.)

The Cintiq 13HD

 Art, Photography, Technology  Comments Off on The Cintiq 13HD
Apr 212014
 

A few months back, my Intuos graphics tablet died, so I replaced it with an Intuos Pro.

Well, I’m 3+ months into using it, and it’s not really working for me. It may be the change from a smooth surface to the rough surface of the Pro, or the general feel of the stylus, but whenever I use it for longer than 30 minutes, my fingers hurt.

I’m holding the stylus as light as possible without dropping it, and my fingers still hurt.

So I have spent the last week or two looking for an alternative.

I like my Samsung Galaxy Note 8, and I like drawing directly on the screen, so I decided to look along those lines.

I spent a LOT of time looking at the Microsoft Surface Pro and Surface Pro 2. The Surface is a nice ultra-portable laptop, but I had a few reservations about it, chief being a display that is just too small for me. I think Microsoft did a great job with the Surface, and it’s pretty to look at, but I don’t like the Windows 8 interface, and the extra money to get 8GB of RAM and another $140 for a keyboard are, in the end, deal-breakers for me. I will probably revisit the platform when they come out with a new version, or my VAIO dies.

I also spent a lot of time looking at Yiyinova displays. The 22HD was the only one I was seriously considering, but the VGA connection bugged me. I would have had to put in a second graphics card to run it, and I didn’t want to mess with that. I already run two DVI displays, so there wasn’t any room to hook up a Yiyinova without adding another card. (And it doesn’t do HDMI.)

While I was flailing around, I found that MacMall was having a big sale on Cintiqs. They use an HDMI connector, and I still have one of those left on my graphics card.

To be honest, I wasn’t even considering one, because of the pricing. But the current Cintiq line has some nice specs, and it’s something I’ve always wanted. Even on sale, the new Cintiqs are a bit out of my price range. So I checked MacMall’s refurbished Cintiqs. Bingo! That’s the pricing I’m willing to go with. The refurbs are significantly cheaper, and come with a one-year warranty.

I decided on a 13″ Cintiq because I don’t have room for anything bigger. (Not much, anyway.) Also, the 22HD was $1599. Ouch. The refurbed 13HD was only $799, plus tax and shipping. I could live with that.

When it showed up, the tablet itself was pristine. No scratches, dust, or fingerprints. Nice. The stand and pen case, well, those were dirty, but not damaged. I have a tub of yellow goo called Compu-Clean that works wonders on this kind of stuff. It removed all of the dirt, dust, and other random stuff from the rubbery parts.

I’ve been using the 13HD over the weekend, and I really like it a lot. Setting it up with my dual-monitor system was kind of a pain. My main monitor is 1920 x 1200, and the 13HD is 1920 x 1080, so if I used the Cintiq as a mirrored display with my main monitor, my main monitor would get all messed up. (It changes the resolution to something that looks unpleasant.) I wound up mirroring my second display, a 1920 x 1080 Asus display. The Asus display isn’t terrible, but it’s kind of janky and over-saturated, and I’ve never been able to get the colors to not look weird. As a box that shows video, it’s fine. As something color-accurate… that ship never sailed, and probably never will.

One other minor beef with the 13HD is the stand. It’s cheap, and prone to collapsing if you aren’t really careful with it. So be careful with it. You only get three angles to choose from.

I like the controls on the side, but the controls on the Intuos Pro are better, and it’s a $500-$600 cheaper tablet. Instead of the great circular control of the Intuos, there’s a circular button with four buttons on it, and one in the middle. Meh. It’s okay, but not nearly as flexible. Instead of 8 more buttons (4 above, 4 below), there are only 2 above and 2 below. For the money, I want more buttons.

But these are minor complaints. Using it is a joy. While my Galaxy Note 8.0 has a capable pen and digitizer (also by Wacom), the S-Pen is too small and becomes uncomfortable over time. Also, there’s a distinct lack of really good drawing programs in Android. Autodesk Sketchbook Pro is the only program I can be remotely productive with, and it’s lacking far too many tools. (Gradients, anyone?) In spite of its limitations, I love drawing on my Galaxy Note 8.0. It bring a kind of immediacy I just can’t get from a graphics tablet.

The Cintiq improves on that experience quite a bit.

Using the 13HD with Clip Studio Paint (also known in the US as Manga Studio Pro) is a breeze. I love CSP for designing quick and dirty graphics and forms. It also runs Photoshop CS6 just fine, too. I tweaked the settings for Photoshop to change the controls to suit my workflow better. The only downside– I had to shove both programs in my Asus monitor window. Oh well.

I haven’t had a chance to put Lightroom through its paces yet, but I will soon. I hope this will speed up my photo editing workflow– using a pen on sliders should be faster than mousing over a bunch of sliders. We’ll see.

Apr 022014
 

Juan had a question about how I did the Anki cards for the A+ exam. I started to write a reply, and it turned into a book. So I figured I’d post the reply as a blog post instead.

I created two types of cards for this deck.

Card Type #1: Basic Question/Answer Cards

The first type of card is a basic question/answer card, with a multiple-choice question on the front, and the answer on the back. I used that for all of the practice questions and mock test questions. That was about 60% of my deck.

Filling up the deck was pretty easy that way. I just copy/pasted the data from my PDF books (in Foxit) into a text editor, cleaned it up a little with find/replace, dumped it into a spreadsheet, then saved it as the proper data type to import into Anki. It takes some time, but it’s still a lot faster than typing every question out.

This is why I recommend the O’Reilly bookstore. All of their books come in PDF format (among others), and are DRM-free. DRM is a pain in the butt. It serves no real purpose, other than interfering with my lawful use of the material to study. I can get around the DRM with Greenshot (which takes a screen capture, then OCRs it), so it’s not like it stops anything, it just makes everything less efficient. (And it doesn’t stop real piracy!)

Sadly, Microsoft Press just left the O’Reilly store, so you can no longer get the DRM-free version of their excellent A+ prep books.

For some books, my only choice was using the Kindle Chrome app. You can’t copy/paste because “reasons,” I guess. I used Greenshot to OCR each chunk of data I wanted, and it would dump the OCR-ed text straight into the clipboard. It was generally about 97% accurate, but fixing that last 3% was really annoying.

Then I dumped the questions and answers into a spreadsheet, and added them all to Anki.

I recommend getting good mock test questions. Lots of them. Dump them in after you do the mock tests, so you don’t forget the trickier questions. If you dump them in before, you’ll lose the “I’ve never seen this before!” effect.

Also, add the study questions for things you don’t already know cold. Don’t clutter your deck with useless info you already know. (“The sun is hot,” “Water is wet,” that kind of stuff. If it’s that obvious to you, leave it out.)

Card Type #2: Fill In The Blank (AKA Cloze Deletion)

The second card type I made was a Cloze card type. “Cloze deletion” is a fancy way of saying “Fill in the blank.” You add tags around the data you want to be turned into a “_____” in the question field, and it gets revealed in the answer field as the original text. So if I tag the word “ABC”, in the question card is shows up as “___,” and on the answer card, it shows up as “ABC” again.

Anki uses HTML tags (actually XML) to mark Cloze fields. <c1> for starting the first Cloze field, and </c1> to end the first Cloze field. So it makes it really easy to turn any raw text into a Cloze card without using the editor. Just take your sentence, add the tags, and import it as a Cloze-type card.

If I need to remember, “Standard ABC has a transfer rate of XXX MB/sec,” I would set “ABC” as Cloze field 1, and “XXX” as Cloze field 2. That way, I would get two different question cards.

The formatting would look like this:

Standard <c1>ABC</c1> has a transfer rate of <c2>XXX</c2> MB/sec.

And just that would generate two cards.

One like this:

Front:”Standard ___ has a transfer rate of XXX MB/sec.”
Back: ABC

And another like this:

Front:”Standard ABC has a transfer rate of ___ MB/sec.”
Back: XXX

That forces me to think about the right answer, and try to remember it.

I find it’s best to do it one fact at a time. A card like this:

“Standard ___ has a transfer rate of ___ MB/sec,”

is more confusing than helpful. I could put in any combination of standards and data rates, and be right and wrong at the same time.

For remembering general concepts, and keeping things straight like Windows licensing options, interface data speeds, and graphics card standard resolutions, Cloze Deletion cards are really hard to beat. While I’ll start to remember the multiple choice answers over time, I’m forced to think about the answer for every Cloze card I get, because the answers aren’t pre-chewed for me.

One final trick: if you have a Logitech gaming keyboard with a bunch of programmable G-keys, you can program them to add the Cloze tags (as well as do other things) in the plain text editor of your choice. That saved me a lot of time, too! I had a whole set of G-keys programmed with Cloze tags for up to four facts.

Is all of this tedious? Hell yeah!

But is it effective? OMG yes.

And it’s cheaper than going to one of those schools that charge an arm and a leg to give you the same info you could get yourself.

Dead-tree vs. E-Books

The only way to get the data in quickly from paper books is with a cheap scanner and some good OCR software. There’s a ton of OCR software out there, and some of it is even free. I’ve done scanning and OCR for some of my Japanese test prep. It’s not fun, but it’s doable. It just adds a lot of unnecessary time. (But it’s still faster than typing.)

Alternativeto.net has a good list of OCR software alternatives. Some are even free/open source.

If you have a paper book by one of the O’Reilly publishers, you can register it on their website, and you may be eligible for a $5 e-book upgrade. Not all publishers go with this, but some do. It’s worth it to check it out. That could save you a ton of time.

Otherwise, I’d consider the money on paper books “lost,” and go buy digital editions I can work with more easily. Wrestling books and scanning every page I need is a waste of time I could use studying.

I prefer DRM-free books, but some of the best books are Kindle-only. So I bought whatever I felt was the best for me.

I only bought paper books if they came with a PDF version, or some other electronic version of the book. One of the Network+ books is like that. It uses some weird Adobe secure PDF thing that’s a pain in the butt to install, and even less fun to work with. My copy/paste is limited by DRM, for “reasons.” I can always use Greenshot in a pinch, but I don’t enjoy going that route.

It’s a big long of a reply, but I hope it helps. Any questions, just put them in the comments.

Snowmageddon For Real

 Photography  Comments Off on Snowmageddon For Real
Mar 022014
 

We finally got hit by the a decent blizzard a couple of weeks ago, so I took a bunch of pictures. The snow event lasted for about two days. Very inconvenient, but also fun.

This is a placeholder post until I get the photos up and in.

Slide Duplicating Rig Completed! (Converting FL Bellows to NEX Mount!)

 DIY, Photography  Comments Off on Slide Duplicating Rig Completed! (Converting FL Bellows to NEX Mount!)
Feb 022014
 

I finally got the parts and tools together, and got this rig together.

I have a Canon FL Bellows with a slide duplicator on the end, and a Sony NEX mirrorless camera. Fortunately, the NEX isn’t too picky about accepting other lenses, so long as you have an adapter that ends in an E mount.

I followed the advice in this post on the Fred Miranda forums (which I mentioned earlier), and I figured I would elaborate on how to attach the L39 to NEX mount on to the Bellows FL, because the OP didn’t really go into much detail.

First, get an L39 (Leica Screw Mount) to NEX mount adapter. There are tons of them out there. I got a Fotodiox adapter for about $20 on Amazon. You want one with a shiny metal liner (which the L39 lens would screw into) that’s held in place with 3 grub screws. (Grub screws are headless screws that are buried in little holes on the sides of the barrel.)

To back out the grub screws, you’re going to need the tiniest screwdriver you can get. In my case, I needed a 0.7mm hex head. It’s just the head– it can be screwed into a handle, or you can just use the bit. I found mine at Harbor Freight as part of one of those microtool interchangeable head hand tools.

It also helps if you have a really bright light, and a magnifying glass. You’re going to be dealing with a lot of tiny screws.

Ok, Got Your Stuff? Let’s Install It!

First, remove the FL mount ring. It’s the shiny metal ring on the back of the FL Bellows. Start by removing the two screws holding the handle on, remove the handle, then remove the retaining screw on the ring. Back the ring out by unscrewing it clockwise. (Righty-loosey for once.) The ring should come off pretty easily. If it gets really tight, you’re turning it the wrong way.

When the ring is removed, there should be one little flat-head screw left at the top of the remaining mount. It will poke out into the area you’ll be mounting the L39-NEX adapter, making it impossible to get the adapter to hold on, so back it out. Take all of these parts and store them in a little baggy. Or recycle them. It’s up to you. (I’m in the baggy camp.)

Back out (but don’t remove!) the grub screws in the L39-NEX mount until the threaded shiny liner pops out. You may need to use a tool with a handle to get enough torque to break the seals.

Now you need to attach the NEX mount to the end of the bellows. It’s more of a matter of positioning the mount and making sure the grub screws are tight. There are two tricky parts here.

First, the bottom right screw is hard to get at when the mount is in the correct position. I used just the head of the driver tool. The bellows hardware gets in the way otherwise.

Second, the red dot on the mount needs to be in the right position. I put it right around 9 o’clock on the ring. To get it close enough, I mounted the NEX and carefully backed out one of the grub screws a hair, then gently moved the mount until everything was parallel and square.

I suppose you could add something like Loctite or JB Weld to make sure it never comes off, but in 5 years some other mount may be the favorite of the day, so I would advise against doing that.

What’s going on here is that the grub screws from the mount are grabbing the end of the old FL mount, which is a smooth tube. It’s a friction fit, so don’t torque it too hard, and be careful when using it for shooting. (Support everything!) I have no idea how prone this setup is to falling apart– only 3 tiny screws are holding the whole thing together.

Duplicating Slides

I dropped in a 35mm f3.5 lens and checked out a test slide, and it fits in the frame just fine now. There’s just enough distance between the bellows and the sensor now that I can get the whole slide duplicator in the frame. I’ll try the 50mm f3.5 macro later and see how it works.

Snowmageddon 2 Aftermath

 News, Travel  Comments Off on Snowmageddon 2 Aftermath
Jan 292014
 

So after all of that frantic forecasting of dire events happening, and predictions of huge amounts of snow burying us all in our homes…

… we got an inch of snow here. And it’s already melting.

I feel bad for the folks stuck in Atlanta and other places further south, that don’t have as much equipment or experience dealing with this kind of stuff, but here it’s a non-event event. Maybe farther east it’s a bigger deal (they got a little more snow than we did), but it’s hardly the “Snow event of a generation” as a certain weather forecasting cable channel hyped it as. The same channel kept saying we were going to get 3-5 inches, when the snow had already moved out of the area.

For the record, the National Weather Service office in Raleigh nailed the event perfectly. Their estimates weren’t as exciting, though, and wouldn’t pump up ratings, so just about nobody went with their more conservative forecast, which was spot on.

Besides, I already had the “Snow event” of my generation in January, 2000, when we got 20+ inches of snow here. The forecast that night? 3-6 inches. So we were all kind of stunned when it just kept falling and falling, and piling up and piling up. It took more than a week to get back to normal.

This stuff? We’ll be back to 70-80% normal by tomorrow. 100% by Friday.

Hardly the “event of a generation.” At least not here.

But if you’re stuck somewhere, it’s closer to the truth, isn’t it?

I’ve been there, too. On my way back to college one spring, I got stuck in Norfolk for one night, then in Charlotte for 3-4 days as I tried desperately to get back to school at UNC. U wound up having to drive across the state on icy, snowy roads in an old rear-wheel drive car that was itching to careen into a ditch. (It didn’t.)

So those stuck out there in this mess have my sympathies.

Snowmageddon Round Two? (Random Stuff Post)

 Art, DIY, Education, Music, Photography, Technology  Comments Off on Snowmageddon Round Two? (Random Stuff Post)
Jan 282014
 

Well, we’re all waiting for the snow to start. We’re supposed to get anything from 2 to 6 inches of snow today through tonight, and as I’ve said many times, we don’t do snow well here. I’m staying off the roads today and tonight, so that means no piano class.

Bummer.

If I Can’t Go to the Music School, Bring the Music School to Me!

I’m going to catch up on my Coursera classes: the Write Like Mozart class, and Pat Pattison’s Songwriting class, which I signed up for again last night.

I signed up for his Songwriting class last year, but I didn’t have time to finish it. What I saw, I really liked. He gives a really good insight into how pro songwriters write songs, and how to improve my own songwriting. (Hint: it involves lots of practice, just like anything else.)

I might also watch some Max 4 Live tutorials. That also looks really interesting.

Bitwig Studio

Bitwig Studio is coming out in late March for $399. The part that’s really interesting to me is the ability to run it in Linux. I think that’s a brilliant idea. But from what I’ve heard, there’s no ReWire compatibility yet, so that’s a big minus for me. This is a good preview of Bitwig, and you can find more videos on their channel.

I wouldn’t mind demoing it to see what it’s like, but $400 is a bit steep for me after G.A.S. ate a lot of my money over the holidays.

I probably shouldn’t buy another new instrument until I’ve gotten good at using the ones I already have.

Rewire and Vocaloid Editor

Speaking of ReWire, I finally found a VST that will let me ReWire the Yamaha Vocaloid 3.0 Editor into Live or Cubase. Cool! You can find it here (the site is all in Japanese). Look for this text “V3Sync ReWire Synchronizer Version 1.3.0 をダウンロード” in the middle of the page, click the link, and install like any other VST. Point the Vocaloid 3 editor to the VST, and it should work.

I know you used to be able to ReWire directly from most Vocaloid 2.0 editors. What happened with 3.0? I have no idea.

Piapro Studio is a good alternative now that it’s at version 1.2. Now you can use sound banks from other companies, too, if you register your non-Crypton sound banks at Crypton’s Sonicwire.com website. I haven’t tried it yet, but I will soon.

Monitor Stand Update

The monitor stand is working really well. I installed it about a week ago, after letting it off-gas for a few days. It adds about 4.25 inches to the height of my monitors, so it took a few days to get used to, but I’m used to it now.

Naturally, just as I say that, I noticed a crack in the wood filler on the right side, near my heater vent. That’s what touch-up paints are for.

Slide Duplicating Project

This is a project I’ve been wanting to get back to for a while. I’m waiting on a Leica Screw Mount to Sony E Mount adapter, and then I may be able to make some good progress on it. I’m going to try what someone did here and remove the FD mount from my Canon FL Bellows, then attach it to my NEX with a LSM to E Mount adapter. That should give me enough focal length to get the duplicate slides in full view.

I hope.

Or I can just throw the whole mess on the copy stand. But I’d rather use a slide copier, because I can aim that at Mr. Sun, and get natural daylight for copying the slides. Artificial light always has weird spectra, even light bulbs that say they are “daylight balanced,” only do so in a way that fools your eye. It does not fool the sensor or the software.

Great Support

 Technology  Comments Off on Great Support
Jan 252014
 

I love it when I get great service and support. I love telling stories of, “Hey, this company is really responsive!”

This is one of those stories!

Thursday night, my CPU fan started making a noise I can only describe as “wailing like a banshee,” which is what a bad bearing sounds like.

I emailed support at Arctic Cooling, who made the CPU cooler I use, and in 3 minutes, I had a reply. I just had to give them my street address, and they’d send out a new fan.

The replacement showed up today. Nice. I’ll have to swap out the fan as soon as I can get a chance to pop the computer open.

Also, my extension cable showed up for the Intuos Pro tablet. Fits like a glove. Yay.

Snowmageddon? Not Quite.

 Music, Travel  Comments Off on Snowmageddon? Not Quite.
Jan 222014
 

As I was going to piano class last night, it was snowing like crazy. The local weather forecast wasn’t good. It looked like we were going to get smacked with a lot of snow. So when enough of us had gathered for piano class, we agreed to cancel it for safety’s sake. NC isn’t good at dealing with winter weather.

Of course, by the time I got home, the snow was tapering off, and even though a few stray flakes were falling through midnight, nothing ever accumulated. Oh, well. Better safe than sorry.

More Coursera Fun

 Education, Music, Photography, Technology  Comments Off on More Coursera Fun
Jan 202014
 

Prof. Donald Hornstein is a fun lecturer to listen to. I highly recommend his new Coursera class on Environmental Law. If you have any interest at all in the environment or in law, take it. (Even for you lawyers out there– it’s a fun refresher.)

I take my CLE every year at the UNC Festival of Legal Learning, and every year, I look forward to Don Hornstein’s lectures. They’re not just entertaining, they’re also fascinating. He takes a subject that at times can be really dry and breathes life into it.

I also signed up for a class called “Write Like Mozart.” It started a few weeks ago, so I’m already behind. I’m going to have to hustle to catch up, but there’s some really interesting stuff going on there. I’d like to learn more about 18th century voice leading!

Is Paddy the Coolest Thing Ever???

I was sitting here, surrounded by my MIDI gear, when I had a thought that other people have already had. “What if I could use this stuff to edit my photos in Lightroom? Wouldn’t it be a heck of a lot faster?”

The answer is yes, so long as Lightroom doesn’t break the plugin you’re using.

Paddy is a program developed as donation-ware, that lets you use just about any MIDI controller to control the sliders in Lightroom to develop photos. If you’ve used Lightroom for any appreciable length of time, you know that fiddling with the mouse to change levels for all of Lightroom’s sliders is finicky business. Sometimes the sliders misbehave, sometimes the mouse misbehaves, either way, it’s tedious.

What Paddy does is take that tedious, repetitive mouse clicking, and if you have an old MIDI mixer with some motorized faders, you can zoom through editing photos in a snap. The faders will automatically go to the positions of the current photo in Lightroom, and you can just mess around with them as you please. I love the idea of this kind of tactile feedback, as well as the idea of mixing MIDI and photo developing.

This is one of those things I need to put on the “Come back to this in a few months” pile and see how the software is progressing.

All-in Ableton, Reaktor, New Graphics Tablet

 Art, Music, Technology  Comments Off on All-in Ableton, Reaktor, New Graphics Tablet
Jan 152014
 

After spending some time getting used to Live, I had a tough decision to make: Standard or Suite? The 20% off sale was going to end soon, and as much as I like the Intro version of Live, it’s not enough for what I want to do. The difference between upgrades wasn’t much. Max 4 Live is part of what pushed me over into getting the Suite. There are other reasons, too.

Downloading everything took 5 hours or so. My Internet connection isn’t the greatest in the world.

Reaktor

A lot of what I was doing while I was downloading/installing Live was learning how to program in Reaktor. There are a lot of really good tutorials out there on building synthesizers in Reaktor. It’s pretty fascinating stuff. I found a really good five part tutorial here: Part One, Part Two, Part Three, Part Four, Part Five.

Once I’m done getting comfortable in Live, I’ll start learning Max, too. That also looks really interesting.

My Poor Dead Graphics Tablet

After 12 years of faithful service, my ancient Wacom Intuos 2 graphics tablet has bit the dust. I replaced it with an Intuos Pro, the medium sized one. I was tempted to get the large, but the medium is about the same size as my old one.

I love the wireless connectivity. That’s really cool. But I read a lot of horror stories about the wonky USB solder connection, so I took out $3 of insurance on eBay, and bought a short USB connector cable that will connect to the troublesome port. I can just tape the cable down to the side of the tablet, and connect the charging cable to the short cable. That way, I won’t put too much stress on that port by plugging/unplugging the USB cable to recharge it.

You can get the small connecting cable here.

I also like the buttons, especially the way you can lock the tablet down to one monitor or another, which is handy for keeping perspectives right. (The tablet to monitor ratio thing. It can get too weird otherwise if you’re using two monitors.) My favorite button is the one that lets me use the control wheel to change brush sizes on the fly. That’s invaluable.

I’m not so fond of the feel of the surface of the Intuos. It feels… weird. I prefer the feel of my old Intuos 2 better. I’ll get used to it.

Monitor Stand is Done!

 DIY, Music, Technology  Comments Off on Monitor Stand is Done!
Jan 142014
 

It only took a month to finish it, but the monitor stand is done. It’s five feet long by one foot wide, with a couple of one by fours supporting it in the middle, and two screwed-together one by fours on each end. It’s sturdy as heck.

Painting it is what held everything up.

It’s been so ridiculously cold here that it’s been too cold to paint. I’ve been using spray paints, too, and they’re even fussier about having temperatures well above freezing.

I started with a simple grey primer, then added two coats of black satin, but it just didn’t do anything for me. It looked very “meh.”

Then I remembered an old woodfinishing project from years gone by. I finished a small 3-legged table with a nice black top, and faux stone legs. The faux stone effect came right out of a spray can.

So I went looking for more of that stuff. It’s been at least ten years, but I figured I could find it somewhere. I did. It was at the last place I checked. It’s a muted Black/White/Grey faux granite look that’s kind of muted. It also needs to have a clearcoat sprayed over it, so it will hold up better with time.

It took me two days to apply the paint, and one more to apply the clearcoat. Now it’s sitting in the garage, off-gassing. I’ll leave it alone for a few days, because I don’t want the house to stink, and I like my brain too much to melt it with the various chemicals in the finishes.

But it looks smashing! The faux-stone spray hides anything I may have screwed up well.

And it’s not made out of cheap MDF that will sag in a year. It’s made out of good old southern pine.

Would it have been cheaper to just buy the stand on Amazon? Well, yeah. It would have been faster, too. But my stand looks really cool, is a custom fit to my desk, and won’t sag. The finish has a rough bumpy stone feel, even. No regrets!

Piano class has also started up again. I’m still terrible at piano. When I get the stand in place, I should be able to practice more.

Also, Push is still fun, although I’ve been using it so much, my fingers are starting to hurt from thwacking the pads so much.

Push or “What Happened to Today?”

 DIY, Music, Technology  Comments Off on Push or “What Happened to Today?”
Jan 102014
 

I went with Ableton Push. I saw countless videos, read a lot of stuff on all kinds of forums, read all the marketing info, and in the end, I decided on Push over Maschine, mainly because 64 > 16. Well, not just that, but the scale mode in Push really excites me.

Maschine looks like something I may get down the road, especially because it’s really good at tweaking Native Instruments’ Komplete programs, and it has a really nice patch browser.

My Push showed up today, so I installed Live, started messing with Push and Live, and subsequently lost track of several hours just messing around with the scale mode in Push using a plain piano patch.

Oh, about Ableton Live: that’s a nice piece of software there. I had a lot of fun messing with it, too. I like how the tutorials are merged in with the software from the get-go. It made me feel like I could make music right from the start, or just perform with it. Everything feels easy.

I’m still trying to decipher everything about Live and Push, and that’s going to take a while, because I have a ton of other things to do, but I’m excited.

Also, my music composition class starts up again tomorrow. I need to start getting back into composer mode, and get rid of the holiday-induced G.A.S.

The monitor stand is progressing, too. I went and touched up some of the areas with wood filler in them, and sanded them down. I’ll start spray painting the whole thing black this weekend. Primer first, then black.

Reason Book and Other Stuff

 Education, Music, Technology  Comments Off on Reason Book and Other Stuff
Jan 052014
 

I’m starting to finally feel better. Well, except for the coughing that comes out of nowhere. I’ve heard that this cold takes a while to get over. Yay.

My Reason book showed up today. It’s huge! The type is kind of small, but the way it’s laid out, if it was published traditionally, this would easily go over 1000 pages. As it is, it comes in at around 356 pages or so. Lulu did a great job binding it, and color really makes a big difference– there are a lot of illustrations, and each one is sharp.

I haven’t had time to read the whole book yet (I just got it!), but I’m looking forward to spending some quality time with it.

Push or Maschine? Argh!

I’m still looking a lot at Push and Maschine as well. I’m leaning heavily towards getting one of them to speed things up. Since I’m not only using Reason, but also VSTs, I’m looking for something that will improve my workflow. I’m also looking for something that will help me come up with wild and crazy ideas.

Maschine has some nice features. It integrates really well with Komplete, and has an awesome preview method. But it looks like it’s geared more towards sampling, and I’m not really into that. I’m more into straight composition and using instruments, in which case Push looks much more attractive.

Push supports Live and Live Suite instruments natively, but Komplete and other third party VSTs don’t have that kind of deep support. I understand why. There’s also a third party solution that lets Push owners tweak the heck out of it so it’ll work better with third party VSTs and other DAWs as well.

I’m very glad that Ableton didn’t turn Push into a black box you can’t tinker with. I think it’s good that they welcome third party software. If anything, it should help sales.

I’d say the only bit I’m not looking forward to is configuring everything. Whoa. I sound like I’ve bought it already. I’m still thinking. It’s a lot of money.

Woof Woof. Books.

 Travel  Comments Off on Woof Woof. Books.
Dec 312013
 

I’m sick as a dog. When we got together at Christmas, we not only exchanged presents and shared Christmas cheer, we also swapped viruses around, it seems.

I have a nasty fever and generally feel like the bottom of someone’s shoe.

The worst part of it is that my SO and I aren’t going to be able to go out for New Year’s. I don’t want her to get sick. That would suck. She has a lot of lawyer stuff to do, and being sick would just make it a lot harder to do it.

And no, I haven’t made any progress on the monitor stand. I don’t think inhaling fumes would help any.

Books!

Being sick didn’t stop me from ordering a really cool book. Robert Anselmi runs Reason101.net, and he’s one of the long-time posters on the Propellerhead User Forums. He’s forgotten more about Reason than I know. Anyway, he has put together a huge book on how to get the most out of Reason’s standard instruments, as well as a few of its Rack Extensions. It’s called “Robert Anselmi’s Reason101 Visual Guide to the Reason Rack.”

He’s self-publishing it through Lulu. I managed to find a discount code, so I ordered the book. I can’t wait to read it when I’m feeling better.

The best part? You can get spiral binding! If you’re a musician, you know how awesome spiral bindings are. That version also comes with a free ReFill, too. It should get here soon.

Another book I got recently (for Christmas) was Daniel R. Mitchell’s book, “BasicSynth: Creating a Music Synthesizer in Software.” It’s an interesting read so far, but I realize I need to get better at programming before tackling parts of it. Someday, I’d love to make my own synthesizer. That would be so cool. And it would have the shiniest knobs and buttons ever.

In Closing

Happy New Year, everyone. Be safe. I’m just going to go in that corner over there and be sick some more.

Push Off to Asheville

 DIY, Music, Technology, Travel  Comments Off on Push Off to Asheville
Dec 192013
 

I’m heading to Asheville to help the folks out for Christmas, so I’m gone for a while. I may or may not update, depending on whether anything interesting happens or not.

The monitor stand isn’t done yet. I’ll finish it when I get back. It needs more wood filler in a couple of places, and I need the weather to cooperate so I can lay down a finish.

Ableton Push

Ableton has a big sale on all of its software going on. I’m really interested in Push, though. I’ve been watching a lot of videos to see how it works, and how well it works, and it looks damn sexy. Of course, Maschine also looks sexy, but Push looks like it’s more up my alley, because it does scales. Lots and lots of scales.

I’ll need to do more research, though. Getting into Push is another $600, and if I decide to move to Ableton as a DAW, that’d be more money out for upgrading to Standard or Suite. We’ll see.

Everything Breaks at Once

 DIY  Comments Off on Everything Breaks at Once
Dec 162013
 

Monitor Stand Update:

I went to a large home center chain, and bought an inexpensive pocket screw jig for about $30. The idea was to use pocket screws to attach the top to the supports at 90 degree angles.

Don’t buy the cheap jig. I wound up drilling out the jig more than drilling the wood. Frustrating.

So I moved to plan B. Plan B is really the original plan A, and that’s drilling down through the top of the wood, and covering the holes with wood filler. Drilling and screwing went well, and the wood filler seems to be drying okay. I just have to find time to sand it.

Stuff Breaking Left and Right!

Of course, it’s also been one of those days. My garage door opener has died on me, the same day that two more sensors in the security system died, too. I was going to go up and help the folks out on Wednesday, but now that’s not going to happen until Thursday. Oh well. These things happen.

Making a Stand

 DIY  Comments Off on Making a Stand
Dec 132013
 

I have a workflow problem. It’s a simple workflow problem, but it has a big effect on my musical work.

My desk and MIDI keyboard stand are arranged in an L shape. Now turn that L 90 degrees clockwise, so it looks like an r. Yeah, like that. The top of the r is where my keyboard is, the stem is where my monitors, mouse, keyboard, etc. are. If I want to work at the keyboard and go through patches, I have to cross my right arm over my left to get to the mouse. (It’s a right-handed mouse– it doesn’t work well with the left hand, and I’m right-handed to boot.)

This makes it really uncomfortable to patch-surf or fiddle with anything on the computer while messing with the keyboard at the same time, and I can’t just dump my MIDI keyboard on the desk and use it that way, because the computer keyboard, mouse, and graphics tablet get in the way.

So I had a think.

If I had a stand, and could tuck everything under the monitors, life would be easier. I could plop the keyboard on the desk, and adjust away while looking at the screen. I checked Amazon, and saw a few stands, but nothing really excited me enough to drop $100 on it. Then I read a comment by one guy, who said he got some wood and screws and made it himself.

What a brilliant idea!

I went by the local lumber yard today and picked up some pine boards for about $30, plus some screws and glue for another $5. We’ll see how it goes.

You Komplete Me

 Music, Photography, Technology  Comments Off on You Komplete Me
Dec 052013
 

Komplete Ultimate showed up today. It comes on a shiny little hard drive, and the install takes about an hour or two. I installed the full version of Kontakt first, then registered it, then installed the Komplete Ultimate cross-grade, and everything went just fine. I’m excited to get more into it. All of it. There’s a lot of it!

I’ve been looking at some of the other deals out there. One VST I picked up was SynthMaster, because it sounds great, and it was on sale for $49. I really like the sounds it makes. If you pay more, you can get more patches. In the case of SynthMaster, some great sound designers have made some really amazing patches, so I picked up a few to go with it.

I also picked up Chromaphone by AAS, because I’ve been looking for a good percussion modeling VST. I realize that Chromaphone does more than that, and, in fact, it does a lot of really wild and interesting things, too.

The last thing I picked up was a second monitor, because photo editing with just one monitor drives me nuts. Also, working in Reason with only one monitor also drives me nuts. I like having the sequencer/mixer in one window, and the rack in another. I found a Dell monitor on sale at Amazon, but it showed up with a bunch of dead pixels, so I sent it back. Unfortunately, I couldn’t get another one, so I had to spend a little more to get an Asus monitor.

Now that I have two monitors, though, I realize that I need to do something about my desk.

It’s always something, huh?

Oh, my new dryer showed up yesterday. It dries clothes beautifully, and it was cheap. Did mention it was cheap?

N1, Take Three

 Japanese Language, Travel  Comments Off on N1, Take Three
Dec 012013
 

My hotel room is kind of creepy. When I woke up this morning, it was 8 a.m. already, but my room was as dark as midnight, even with all of the curtains open. It feels like I’m in one of those rooms they use for experiments to confuse your sense of time. It’s really hard to know what time it is without looking at a clock.

I did some studying before heading out to Georgetown, and settled any anxiety I had by walking vigorously. A nice workout is a great way to relieve stress.

Today’s N1 was hard. Like last year, I think I simply need more vocabulary, but I feel like I nailed the listening portion. (I may be completely wrong.)

My N1 assault plan was the same as it was the other two times. I do most of the reading section first, because it takes me longer to do it, then go back and do grammar. I do it this way mainly because I don’t want anything that may go wrong in grammar to throw me off for the reading portion. Also, I do it because I want to make absolutely sure I get all of the reading questions done, because they count more than the grammar questions. (Per question, anyway.)

It went okay. I’m not sure if I passed or not. If I did, it’s probably by just a bit. If I didn’t, it’s probably by just a bit. I’m hoping that I pass, because I really don’t want to take this exam anymore, to be honest. It eats up a lot of time and money to prepare for it, and while it’s great to have the certification, it means that I can read and write at about a 12th grade level in Japanese. Not bad, but not “native level.” But still, not bad.

A lot of people I know who have already passed it say that it’s like finally getting in the door on learning Japanese. I suppose I’ll find out when that happens.

I’ve also been thinking about my approach to learning the language as well. Rather than doing lots of grammar drills, I’m going to focus on writing and reading more. Reading-wise, I’m going to focus more on newspapers, literature, and essays, and less on light novels and manga. I enjoy reading light novels, because they’re generally easy to read and light on thinking, but weightier literature, depressing though it may be, is really good at getting deeper into the language.

Writing daily will help a lot, too. I write some in Japanese, but I should write more. (I’m not changing the language of this blog, however tempting it may be.)

After the exam was over, I headed to Five Guys again to get a burger, then went back to the paper shop to get more paper for my sister, just like last year.

I thought about using Uber, but decided against it. I prefer to walk.

Speaking of which, according to Google, I walked 27 miles in November. How did they know? It’s interesting, but also kind of creepy. Welcome to the future, I guess.

I got back, then relaxed in my room. Long day, and I’m a little burned out. I’ll head home first thing tomorrow.

Off to DC

 Japanese Language, Travel  Comments Off on Off to DC
Nov 302013
 

I headed to DC today. The roads were a mess, because it’s the Thanksgiving weekend.

Actually, a mess is understating it. It was most unpleasant. But I got there.

I’m staying at the same hotel I did last time. It’s a nice hotel, if a little bit pricey, but it’s close enough to Georgetown for me.

I studied some, and I’ll study some more, then go to bed. Then I’ll get up early, study a little more, then head to Georgetown for the test.

Thanksgiving, Black Friday, N1 Coming

 Food, Japanese Language, Music, Technology  Comments Off on Thanksgiving, Black Friday, N1 Coming
Nov 292013
 

Thanksgiving was nice. We had our usual fried chicken, because turkey is boring, and takes too long to make. I made some killer fried chicken this year.

We did NOT go to any stores. It’s Thanksgiving– it’s not a day to shop. That’s what Friday is for.

Deals!

I’m also looking out for good deals. Ever since the Propellerhead User Forum got shut down, I’ve been relying on Rekkerd’s Deals page a lot for info as to what’s going to be on sale this weekend and beyond.

The coolest thing I found was Native Instruments‘ massive software sale. Full versions of some of their software is half-off, everything except Komplete.

But it’s not what you think.

If you get a cross-grade from the full version of an NI product, you can get a big discount on Komplete, and Komplete Ultimate. The way it worked for me was that I bought Kontakt for half off ($199), then got the Komplete Ultimate cross-grade for only $374. Considering it retails for $1099, and usually goes for around $999, that’s a great deal.

I’m looking forward to playing with that. A lot.

I also scored a great deal on a new dryer. My dryer has been making scary noises and giving off weird smells, so rather than have the house burn down, I bought a cheap dryer. Really, all I need in a dryer is a low setting and a timer.

So long as it fits, dries my clothes, and doesn’t burn the house down, I’m happy.

N1 Coming

Tomorrow I leave for Washington to take the JLPT N1 again. I’m studying as much as I can.

Study-wise, I put a couple of N1 grammar books into Anki. It’s not enough, but it’s all I had time to do given the time I had. Studying for the A+ (and getting it) took up a lot of time.

Music Composition // Bargain Hunting

 Music, Technology  Comments Off on Music Composition // Bargain Hunting
Nov 232013
 

My music composition class is going pretty well. I finished one piece, and just finished another. They’re just little musical doodles, but I like them. I’ve been using MuseScore a lot to do the writing, then I’ll output it as a MIDI, then import the MIDI file into Reason.

MuseScore’s playback is a fine, but the sound quality isn’t as good as I can get in Reason. Then again, MuseScore is free.

MuseScore is pretty solid, and it’s free. I like free.

I tried using the composition software in Cubase 7.0, but it wasn’t as flexible or easy to use as MuseScore. I might try again later on, because it would be pretty cool to have composition and production software all in one.

Bargain Hunting

I’m starting to check out what’s going to be on sale next weekend. Black Friday and on is a good time of the year to get deals on all kinds of music-related software and hardware. My big hope is that Native Instruments’ Komplete Ultimate is on some kind of sale, because I’m eager to branch out into some new sounds. I’m also really interested in Kontakt as a sampler.

Also, Nine Volt Audio is going out of business, so they’re selling all of their software in one big bundle for $199. (Except their Taiko v.2. Dang.) The bundle has some really good sounds in it. The sale ends in early January, and then that’s it. No more.

I picked up the bundle and downloaded it. Getting the downloader to run was a little troublesome, because my anti-virus kept wanting to call it a virus. (It wasn’t.) But after that, it was simply a matter of entering codes and downloading. Some of the libraries are Kontakt-only, so if I can get Kontakt, I’ll have some nice third-party sounds to play with.

Going Home in the Snow

 Travel  Comments Off on Going Home in the Snow
Nov 122013
 

I woke up and looked out the window and sure enough, it was snowing.

Fortunately for me, it wasn’t sticking.

I got all packed up and got out the door by about 9 a.m. with the help of my SO’s parents. They’re wonderful people.

The drive back was pretty uneventful. The snow stopped by the time I got to New Jersey, and it was never really an issue while driving until I got to Durham, NC. It was snowing hard when I went to Costco to pick up some supplies, but it still wasn’t sticking. I got home around 7 p.m.

The N1 is coming up in a little over two weeks, so I don’t have time to breathe. Gotta get on it.

Celebrating Pocky Day in Manhattan

 Food, Japanese Language, Photography, Travel  Comments Off on Celebrating Pocky Day in Manhattan
Nov 112013
 

Happy Pocky Day. (11-11!)

I celebrated by heading to the Metropolitan Museum of Art. The recommended donation now is $25! Ouch! I saw a lot of exhibits at the museum that bring back memories of my childhood, like the Egyptian section and the Temple of Dendur. We used to come to the MMA when we lived in NJ, and I always looked forward to it. It’s one of my favorite museums in the world.

After looking at the Egyptian section, I looked at the American Decorative Arts section, then at the sculpture garden, then another favorite section of mine, Arms and Armor. I’ve always been fascinated at the various inventions humans have created to protect themselves from… other humans. And plate armor just looks cool. I’d hate to wear the real thing, though.

Then I broke for lunch. Lunch was in the basement cafeteria, which is the cheapest place to get lunch.

First I had to find it. It took a little wandering and map-consulting, but I found it.

It was about $25 for lunch, but it was good. I just wish I could have gotten a plain turkey sandwich, instead of something with cranberry mayonnaise on it. I like cranberries, and I like mayonnaise. I would just rather pick the dressing myself.

I swung by the medieval statues I saw on the way to the basement, and snapped a few photos with my phone, then snapped some more of the statue garden on my way to the modern art section.

I wandered around the modern art section, and finally found my favorite painting in the building. It’s a Jackson Pollock painting called “Autumn Rhythm.” I don’t know why I love it. I just do. That’s art.

By then it was about 2:30, and time to head out. I found souvenirs for everyone, headed out the door. I got a few shots of the building on my way out with the Nexus 5.

On to Times Square, and Kinokuniya

I grabbed a train to Times Square, then headed to Kinokuniya to do some more shopping, but really, by now I have all the books I need. This was more of a “make sure” trip. I really wish I had a Kinokuniya or similar book store nearby.

Then I headed back to the apartment to clean up and get changed. I was going to meet up with some friends in Greenwich Village for dinner. I got all cleaned up, and headed out.

Oh, My Battery!

We met up at Oh! Taisho! at around 7 or so, and had a nice conversation at dinner. The food was good. It was yakitori and other bar-style food. We talked forever, then went over to Starbucks and talked some more. It was a lot of fun.

But my battery was almost dead by 9. I had to borrow a portable battery charger from a friend of mine. I wasn’t happy about that. This is after recharging the battery once while I was changing. I’m not sure if it’s a driver thing, or a Kit Kat thing, or a Nexus 5 thing.

By about 10 or so, I had to head back, because I don’t want to be out too late and wake up my SO’s parents, so we said our goodbyes.

Tomorrow I go back home. It’s supposed to snow.

Back in Manhattan.

 Japanese Language, Travel  Comments Off on Back in Manhattan.
Nov 102013
 

The drive to New York City was uneventful, until I missed the turn for the parking garage and had to drive around for 15 minutes to get lined up again. That’s the one thing I don’t like about Manhattan– it’s really easy to wind unable to get where you want to get to, even if it’s just right there!

I got in and got unloaded safely, and flopped down for 10 minutes. Then I headed to Kinokuniya to stare at their books. There wasn’t really anything I had to have this time. It was just nice to wander around and look at stuff. I wish there was an easier way to find potentially interesting books– at least the fiction books. Non-fiction and other stuff is pretty easy to go through, but it’s hard to tell if a novel is going to be any good without reading it.

I got back the apartment and had dinner with my SO’s mom and stepdad, who are lovely people, and then relaxed for the evening. I haven’t done that in a few days.

Career Forum Day Two, etc. etc.

 Food, Japanese Language, Photography, Travel  Comments Off on Career Forum Day Two, etc. etc.
Nov 092013
 

Day two of the Career Forum, and my last. I’ve seen everything I want to see, and talked to everyone I want to talk to. I talked to a few companies, had a couple of brain cramp moments, but generally feel okay about it.

If something comes through, great! If not, I’ll keep freelancing.

I headed back to the hotel, changed, and had lunch. Then I got my stuff together and headed to the USS Constitution, to get a good look at it before the last tour of the day. I just made it to get on board, but I missed the last guided tour. I did get a chance to take some photos with my NEX and my Leica 21/2.8M ASPH lens, though.

I went back to the hotel, rested for a little while, then headed to the same Japanese restaurant I went to last year, Shiki in Brookline. It’s about a 45 minute trip by the green line. I had 20 minutes to kill before my table was ready. There wasn’t anywhere to wait, so I waited outside.

I had udon. It was good. The service was a bit on the slow side this year.

Tomorrow I head to New York.

Career Forum, Day One.

 Travel  Comments Off on Career Forum, Day One.
Nov 082013
 

Today is the first day of the Career Forum. I set a bunch of alarms on my new Nexus 5, but one didn’t go off. I think the travel charger I use isn’t compatible with it, even though it’s USB. The phone starts freaking out when it’s plugged in, and acts erratically. It charges, though, and that’s all I can ask for.

But it would have been nice to wake up on time.

I hurried to get ready and dashed to the Convention Center.

Not much has changed since last year. I did lots of walking, talking, and listening to companies’ pitches.

I talked to some really nice and interesting people at a number of companies, and we’ll see where it goes. I’m not going to get my expectations too high. Recruiters say a lot of things to a lot of people. Sometimes they come through, and sometimes you don’t hear anything, ever.

When it was time to head out, the wind was screaming, and it was cold. The weather here is nasty, especially the wind. I grabbed some food at a 7-11, then headed to the hotel to collapse. My feet were done for the day.

Lots of Yellow and Red…Made it to Boston Anyway.

 Technology, Travel  Comments Off on Lots of Yellow and Red…Made it to Boston Anyway.
Nov 072013
 

I slept in a bit today, because I figured I would leave around noon and just toodle on up to Boston. I didn’t have to be there at any particular time, so I took it easy this morning and lounged a bit.

Okay, not really. I lounged for about 20 minutes or so, then got cracking.

Google Maps said it would take 5:45 to get to Boston. I laughed. I’ve made this drive before, and no way will it only take 5:45.

The Quest For Gas

I wanted to gas up at the nearest Costco, because in NC, they’re the cheapest places to get gas.

“Okay Google, where’s the nearest Costco?” 10 minutes later I got there… and they didn’t sell gas. Doh.

“Okay Google, where’s the nearest truck stop?” 10 minutes later, a closed onramp and a long detour later, they were out of gas. *Facepalm.*

“Okay Google, where’s the nearest gas station?” 10 minutes later and I finally found an establishment willing to sell me gas!

Yeah, it was that kind of day.

The George Washington Bridge is Never Green

I was listening to a lot of traffic info on the way up the NJ Turnpike, because I know how NY/NJ traffic is–it changes from minute to minute from smooth as butter to clogged up and not moving at all. “The GWB is green, the GWB is green,” I kept hearing that, so I decided to take the GWB across the Hudson… and hit a 30-minute delay right at the toll booth. Yay.

The whole time I’m driving, I’m also fighting the new version of Google Maps. The old version would let me seek alternate routes. The new version does not. I don’t like this improvement at all, but since I have a new phone, I can’t roll it back.

The phone keeps telling me to take weird routes I’m not used to taking, and I can’t tell if I’m actually going to save any time at all. It’s really frustrating and annoying. I don’t want to take the Merrit across Connecticut. It looks like a big red line of non-moving traffic from the map and from behind the wheel.

So I moved back to I-95. It didn’t move much, either, and Maps was still trying to get me to go back the Merrit. Ugh.

Before I left I-95, I pulled off at a service area to get gas and some food.

I finally got off on to I-91 and things were moving again, but this jaunt across Connecticut probably took 3.5 hours, when it should take two, max. The traffic was horrible on all of the east-west roads.

I got to the Mass Pike, and everything was smooth again, but the drivers were all crazy. And just as I’m pulling into Boston, the GPS drops, and stops giving me directions, and I wind up who-knows-where. When I got out from underground, it kicked in again and figured it out, but it was annoying to have to guess what it wanted to do next.

So my 5:45 trip took about 8 hours.

The hotel is nice. Expensive, but nice.

Off to Boston… Again.

 Travel  Comments Off on Off to Boston… Again.
Nov 062013
 

After a lot of running around and getting ready, I left for Boston. The drive up I-85 and 95 was pretty uneventful.

The NC QuickPass transponder worked on the EZ Pass lanes in Maryland and Delaware. That was a relief.

I made it as far as Newark, DE the first night, and stayed at the same Holiday Inn Express I stayed at last time. It’s a nice clean hotel, and this time I was on the first floor, which makes getting out a cinch.

Nexus 5 Arrived

 Technology, Travel  Comments Off on Nexus 5 Arrived
Nov 042013
 

My N5 was waiting for me when I got back from Greensboro today.

First impressions: I love the look of Kit Kat. The phone feels good in my hand, too, although I think it’s going to become a grease magnet. I’m not a huge fan of the sharp edges, though. They’re a little sharper than I like, but they help me keep a grip on the phone.

The OS has a lot of changes under the hood, and some cosmetic ones. Google Now is on the left sweep from the main screen. I’m not sure I like that yet. Also, there are only 2 screens to put icons/folders on. I’m not sure how I feel about that, either. I’m used to 4-5.

Stock Android is my favorite version of Android. Very little “stuff” gets in my way.

Compared to the GNex, there is no comparison. It looks better, works faster, and takes better photos.

There’s an auto HDR mode, but it’s slow. Slooooow.

I had to go by T-Mobile to get a new SIM card for it. It uses the smaller SIM cards. I’m wonder if that’s going to be an obstacle for traveling or not. I’ll still keep my orange cave-phone with me, just in case. The T-Mobile folks were nice about making a quick swap of SIMs.

I need to start packing, so I’ll use it more on the road.

Kindle // Nexus 5

 Technology, Travel  Comments Off on Kindle // Nexus 5
Nov 012013
 

I finally bit the bullet and got a Kindle Paperwhite a few days ago. The first one showed up with a defective screen, and Amazon overnighted a new one out right away.

The display is really easy on the eyes. It’s the sort of thing you can just sit and read for hours. I read a lot on my tablet, but the Kindle makes it so I can read for hours and not feel any appreciable eye strain.

I’m looking forward to taking it with me to Boston and New York.

Oh, a New Nexus!

The Nexus 5 was announced earlier today, and I managed to order a 32GB model before they all disappeared. It was a fluke that I caught the announcement just as it was happening, or else I wouldn’t have gotten an order in on time.

My Galaxy Nexus has been a good phone for the last year and a half, but sadly, it can’t keep up anymore. It won’t be getting any more OS updates, and I’m tired of only hitting the 16GB storage wall. (It’s really less than that with the system overhead.) Some people virtuously declare that they don’t even need 8GB. I’m happy for them. I’m not one of them. I have a lot of music, e-books, and other “stuff” I carry on my phones all the time. I need that extra space, and I wind up using it all.

I hope the N5 arrives before I have to leave for Boston. I want to really put it through its paces on a long road trip.

On the other hand, it would suck if I had to leave it on the front porch for a week while I’m gone…. I better call somebody to have them check my porch in case it doesn’t get here in time.

Oct 212013
 

Man, that was nerve-wracking.

Part two of the A+ exam was trickier than I thought it would be. I know a lot of this stuff just because I’ve been messing around with computers all my life. I’ve built every computer I’ve used for the last 20 years. (Except for laptops.)

But if you ask me about cables, and numbers, and standards, my eyes (until now) would glaze over.

Now I know which version of Windows XP you really need. Or Vista. Or 7. (Yeah, that part was kind of weird, if you ask me.)

I also have a bunch of handy new skills in basic network troubleshooting, and dealing with Windows’ general random bugginess.

Finally, I have a new way of approaching problems that’s really useful.

I highly recommend getting as many A+ books as you can, and dumping them into Anki, then dump the questions into Anki, and review the bejeezus out of them.

Now on to N1 prep, and Career Forum prep.

A+ Part One: Pass!

 Education, Japanese Language, Technology  Comments Off on A+ Part One: Pass!
Oct 112013
 

So far, so good. I passed the first A+ test. It was harder than I thought it would be. I’m glad I had 3 different prep books to drill questions out of. I must have taken about 10 or so practice tests. I nailed this one.

Now my sister and nephew are coming tonight for the weekend, so I need to get the house ready. And I’ll be taking part two of the A+ on the 21st.

And of course there’s still the N1 looming over me. I’m not sure what to do about that. Panic? Nah. I don’t have time for that.

Glass in Durham

 Education, Music, Photography, Technology  Comments Off on Glass in Durham
Oct 052013
 

Google brought its Glass wearable device to Durham today, and it was a madhouse. A controlled madhouse, but the lines were huuuuge.

Kudos to the Google staff, who managed the hordes of people who showed up. I only had to wait in line for about 30 minutes, and I came a little late. (Like at 11 am.)

Everyone was excited. We got little booklets that explained how to use Glass before we even went in. And they had waiters bringing us water so nobody got dehydrated.

Once I got in, I had to sign a release, then we went off into our little orientation groups. Then we got to try it on for about 10 minutes.

It’s a really neat device. My unit didn’t connect to WiFi, though, so it didn’t do much. But I can see how having it could be really useful for anyone who shoots video. I’m not as sold on the serious photography aspect, but I’m a camera snob. If the lens is too small, I have problems taking it seriously.

But I bet you could make some really interesting videos with this.

The heads-up display isn’t really a HUD. It’s more like a little TV that hovers just off and to the right. It’s not quite as earth-shattering as I was hoping for.

In my vision of a vision enhancing technology, it would be a real HUD that would give you an overlay layer on reality, like drawing big fat arrows on the pavement as you’re driving along to tell you where to turn, instead of making you look at a little monitor and look away from the road. It would kind of be like a world where your computer is a really good, really fast graffiti artist.

But I think that kind of tech is about 4-5 years away at least.

After we played with it, we could go upstairs and get food and beverages for free, and a poster. I skipped the food, grabbed a poster, and left. I had music composition later on, and I needed to get ready for it.

That’s been a fun class so far. Lots to learn, but a nice environment. I’ve already written one piece, too. It’s not great, but it’s a start.

I’m also cramming A+ material into my brain as fast as I can. I have my first A+ test on the 11th. Gotta study.

Miku In The House // New Computer // Glass Coming to the RTP

 Japan, Music, Technology  Comments Off on Miku In The House // New Computer // Glass Coming to the RTP
Oct 022013
 

So the Vocaloid software showed up yesterday from Tenso. It came in great shape. The install went smoothly, and everything runs fine.

Today I upgraded to Cubase 7.0 full version to get more flexibility with making music. Artist is fine, but the upgrade was cheap.

New Computer Up and Running!

Oh yeah, the software was all installed on my new desktop, which gets a 7.8/7.9 on the Windows performance index. That makes me happy, but also wishing I could get that last 0.1 out of it.

The SSD makes booting a dream. I go from BIOS screen to login in about 10 seconds. Maybe 15.

I tried to create a custom install for Win 7 using a streamlined set of drivers, apps, etc., but I found I was spending more time on getting a perfect slipstream than it would have taken me to just install everything.

I headed to the Black Viper’s website for info on de-cluttering my registry and services, and I also followed the advice in this post about getting the most out of my SSD in Win 7.

The only major pain in the butt was deregistering a lot of my software and uninstalling it from the old system. I wish there was an easier way to handle licensing. The Cubase USB dongle is useful, but if you lose it, you’re kind of screwed. I like what Adobe does with Lightroom: they trust the users not to abuse the number of licenses. Besides, it’s not like you can run more than one instance at a time, anyway.

I really like the new Vocaloid de-authorizing tool from Yamaha. That worked out really well. Uninstalling/reinstalling was a snap.

Glass!

There’s going to be a Google Glass event in Durham this Saturday, too. I RSVP’ed ASAP. I want to see Glass, and see if it’s going to be a game-changer or not. It’ll probably be a zoo there.

Getting Stuff Done Music

 Japan, Music, Technology  Comments Off on Getting Stuff Done Music
Sep 272013
 

Who hasn’t seen the Lifehacker article about coffee shop background noise being good for productivity yet? Just about everyone has, or so it seems, anyway.

In that vein, I have been looking for some background noise to have going so that I would stay awake and productive without having to drink 8 cups of coffee.

I found a website called SoundDrown where you can listen to a recorded coffee shop loop over and over. It was okay, but not quite interesting enough for me.

I’m still looking for something suitably interesting. For now, I’m going to stick with Music For Programming, but I’ve listened to their mixes so many times I’ve lost count. They are awesome “Getting Stuff Done” mixes, though.

If I fire up International Departures, I’ll just stop working all together.

Miku’s Coming…

I got notified by Tenso yesterday that my Vocaloid 3 bundle has shown up at their offices. Great.

I had to provide proof of my US address, and that turned out to be a slight pain in the neck, because I forgot that my passport doesn’t have my address on it. That’s what I get for doing this stuff at 6 a.m. with no coffee in me yet.

I heard back from them at around midnight telling me that I needed to send something better, and I sent them a scan of my driver’s license. I just heard back this morning that everything is A-OK, so I’m looking forward to getting my stuff from them sometime next week.

The fees from Tenso are surprisingly low. The total cost of everything is 1990 yen, and that’s pretty cheap for getting something express mailed from Japan. That includes about 980 yen in handling fees, but to be fair, if I asked a friend to send stuff on for me, I would buy that friend a beer, anyway, and I doubt that that friend could get such a good deal on shipping.

If the package arrives in good shape, I’ll probably start using them more often, because Amazon is crazy expensive for shipping. Also, I can buy used books if I have them shipped inside Japan and save more money that way.

Building a New Computer

Finally, my old computer is dying a horrible, slow death from overheating too much. I keep getting BSODs due to overheating, and I have finally reached the “Screw it” point where I picked out some parts for a new rig. This time I’m going for an SSD main hard drive to run Win7 and all of my programs from, an Intel i7-4770 CPU, 16GB of RAM (for now), and a nice white Corsair case. For the mobo, I’m going with one of the ASUS TUF motherboards, to see how it does with dust, and an Arctic CPU cooler.

My old case was a ThermalTake LanParty, and as a mATX form factor case, it was great for small gaming rigs that could be really portable. But as a small form factor case, taking it apart and putting it back together was murder on my fingers. Also, graphics cards, HDDs, and PSUs all had to fit together like a puzzle, and the cabling would always get in the way.

And of course having all the parts on top of each other killed the airflow and heat dissipation. I’m kind of surprised it lasted as long as it did.

I’ll have to put it all together this weekend and get it up and running.

Eyes on Fire

 News  Comments Off on Eyes on Fire
Sep 262013
 

Two words you never want to hear from your eye doctor: viral conjuntivitis.

Trust me on this.

Imagine your eyes are on fire, and, in order to put out the fire, you decide to pour a beach full of sand on them. Now they are hot and gritty. Hmm. It needs something else. How about rinsing it all off with alcohol and gasoline, so now they sting, too? Might as rub some itching powder around your eyes, and just light the whole mess on fire.

That’s what this week has been like. Not really fun.

Interestingly, it’s almost 2 years to the day that I had just about the same thing happen while I was in Tokyo. The drugs there worked a little faster. The medicine I got works, but not nearly fast enough for my liking.

To be fair, the burning and gritty sensation is going away, but they still randomly itch like hell.

Anyway, my eye trouble has kept me away from the computer. As they’re getting better, I’m able to do more work, but I have to take frequent breaks.

I have a cold mask that works wonders. I should have bought two, so I could keep one cold while I use another, but this is good enough.

Raleigh Greek Festival

 Food  Comments Off on Raleigh Greek Festival
Sep 222013
 

My SO and I went to the Raleigh Greek Festival for dinner last night. The music was a bit on the loud side, but it had a great party atmosphere, and of course the food was amazing.

I’m glad we finally got to go. I’ve been wanting to go to this festival for a number of years, but I could never get my schedule to align with it, or I would find out too late to plan anything. I’m also glad she wanted to go, too, because going to Raleigh is a bit of a drive for us.

The pastitsio was awesome, so was the spanikopita. That was some of the best spanikopita I’ve ever had, and I’ve had a lot. The lamb skewers were good, too.

Our plan was simple: buy a bit of everything, and take it all home for leftovers the next day.

We also tried some of the desserts, too: the donuts were really good (covered in honey, cinnamon, and a little brown sugar), and the galactaburos was good, too. (I really wanted to cover that in dark chocolate, though.)

There was a baklava sundae that we also tried. It was a bit on the sweet side for me. Okay, it was nuclear sweet.

It didn’t cost a whole lot more than going out to a nice restaurant, and we got two days’ worth of food out of it, so it’s a win-win kind of thing.

Miku 3.0 Bundle

 Japan, Japanese Language, Music, Technology  Comments Off on Miku 3.0 Bundle
Sep 192013
 

Crypton Future Media, who makes the popular Vocaloid Hatsune Miku, announced an English version earlier this year, and also announced a bundle of the English version with new versions of the older voice banks for an upgrade price for those who own previous versions.

Since I own the older voice banks, I was intrigued. I haven’t given up on my grammar music project yet, even if it is on the shelf for now.

The deal is that if you owned and registered both previous editions, you could get the bundle for ~$150 US.

The bundle comes with a special edition of PreSonus’ Studio One DAW, so it gets a new user in the door of using a DAW. It also comes with Crypton’s new VST, Piapro Studio, that will handle its Vocaloid voice banks inside of any DAW that can use VSTs.

The only downside to Piapro Studio is that for now it only handles Crypton’s voice banks, and that’s minor. You could always create a track with Miku or any other Crypton voice bank, then output it in VSQX format to the Yamaha editor, then change the voice to the voice bank you need to use, and export it out as a stem.

I wanted to get the Yamaha Vocaloid VST plugin for Cubase, but this makes things easier, and saves me another $100 or so. It also comes with some extra VST plugins.

All in all, it’s a great deal, and for beginners, it’s great starter package.

Getting It…

There’s a catch of sorts. You have to have a Japanese address to get the upgrade bundle at this price.

To be fair, they have a US distributor, and that’s where a this restriction comes from. But the US distributor isn’t selling the bundle at this time. I don’t know when they’re going to sell it. Right now, the cost of the English bank from the US company is as much as the cost of the whole bundle from Crypton.

After some talking with customer support, I got myself a Japanese address at Tenso, who will gladly ship it for me. I set up an account with them, and voila! I have an address in Japan now.

There is another caveat: I won’t get support from the US distributor. I’ll have to get support from Japan. I am totally okay with that, because the Japanese customer support has been great.

Now I just have to wait for the software to be released on the 26th or so, and I’ll get it a few days later. Can’t wait.

Anki Assault / Piano Practice

 Education, Japanese Language, Music, Technology  Comments Off on Anki Assault / Piano Practice
Sep 102013
 

In order to get ready for both the N1 and the A+ exams, I’m going all out on Anki for the next few weeks. I’ve just finished setting up a bunch of workbook practice sheets for Anki, thanks to e.Typist. It lets me OCR stuff and get it into Anki relatively painlessly.

For A+ material, if the book I bought is in PDF format, it’s easy to just copy/paste the text into Anki. But if it’s a Kindle book, then I have to use something like Greenshot, which take a photo of the page, OCRs it, and adds it to the clipboard. Then I just have to paste it into Anki.

Really, it would be a lot easier if these publishers just gave us text files. I paid for the book. It’s not like I’m going to give away the contents. I just want to turn it into flashcards I can use.

Also, I finally upgraded to Anki 2.0. I’ve been putting that off forever, but it’s finally time to bite the bullet. The transition took a couple of days to get ironed out completely, but now I don’t even notice the differences. The differences are there, and the workflow is pretty different, but things I used to complain about don’t seem like such a big deal to me anymore. As long as it’s fast, that’s all I care about.

Oh, Piano Class started tonight. That was a lot of fun. The Piano Lit class afterwards was interesting, too. I’m pretty ignorant when it comes to piano music. My background is in marching bands, concert bands, and jazz bands. So I don’t know much about classical piano music. But it’s interesting.

Music School

 Education, Music, Technology, Travel  Comments Off on Music School
Sep 032013
 

The University of North Carolina at Chapel Hill is starting something new this fall, a Community Music School for people like me who live nearby and want to polish our musical skills in a relaxed setting. It sounds really interesting to me, because as I’ve said before, I need to work on my music composition skills. I also need to work on my piano/keyboarding skills, because that’s the fastest way to enter music into my DAW of choice, Reason.

I spoke with the teachers at an event on Sunday, August 25th, and they both seemed like really nice people who were not only passionate about what they do, but highly experienced. So signing up was a no-brainer for me.

Composition starts this Saturday, Group Piano starts next Tuesday. I’m looking forward to it.

Also, I’m starting to go into full gear mode for the N1, which is coming up in less than three months. (OMG!) I’m also looking at getting my A+ certification, because it’s an easy way to show people I know what I’m doing when it comes to computers. I may get Network+ and Security+ later on, but for now A+ will be plenty.

The only thing I’m worried about is cramming for A+ will mess up my N1 prep. But I want to have the A+ certification before I go to Boston again. (Yeah, I’m going again.)

This fall is going to be crazy.

Enter Samsung

 Technology  Comments Off on Enter Samsung
Aug 152013
 

My old Motorola Xoom tablet has been slowly dying on my lately. It has been running slower and slower. Part of the reason, I think, is because Google/Motorola stopped supporting development of the Android OS for it. So it doesn’t get updates anymore, which means it’s stuck on 4.1.

Also, the hardware is old, so programs that have become more and more greedy when it comes to CPU and memory are running out of room to work.

It doesn’t help that it weighs a ton, and becomes uncomfortable to use after a few hours.

I saw a sale on the Samsung Galaxy Note 8.0 pen tablet the other day, and finally decided to buy one. I have a few good reasons for it.

First, it supports microSD cards up to 64GB. I have a lot of e-books and MP3 files, and I want to be able to fill that up. The tablet only comes in 16GB models, which I find somewhat annoying, but less annoying if there’s an microSD card slot.

Second, it has a Wacom pressure sensitive stylus, with that bit cooked into one of the layers of the OS. I like Wacom products a lot, so I see this as a definite plus. If I can find a good drawing program, I’ll be set.

I’ve had it for a couple of days now, and I like the tablet overall. The display is crisp, colors are good, and sound is good enough. (I use headphones anyway.)

Yes, it’s plasticky, but I don’t care. Compared to the Xoom, it feels feather-light. If plastic makes it lighter, then by all means, make it all plastic. It’s just as strong as anything else.

My only beef is with all of the “Software I don’t want or need” that Samsung insists on dumping on the tablet. I don’t need a Samsung version of every Google program I already use. What’s worse is that I can’t uninstall the Samsung software. Samsung makes great hardware, but I like the Google software.

Let me run what I want. It’s like buying a laptop full of crapware. I wind up formatting the hard drive and doing a clean install anyway.

I would love to put Cyanogen on this, but then I’m afraid I’d lose some of the pen pressure support, and it may be just as much or more of a hassle than keeping the software I won’t use, anyway.

Raise the Mast!

 News, Site Maintenance  Comments Off on Raise the Mast!
Aug 092013
 

I spent a few hours creating a new masthead for the site today. I’ve been wanting to do this sort of old-fashioned mechanical arrival/departure sign motif for a long time, but hadn’t found a good way to make it work. I came across this tutorial on how to make a flip clock in Photoshop.

Applying it to make a mechanical signboard wasn’t too difficult.

The only problem for me was getting Suffusion to line it up, center it, and link it to the home page properly. I spent about 2 hours wrestling with it, trying to find answers, because Suffusion’s control panel is a bit disorganized.

Setting a Clickable Linked Mast in Suffusion

First, have an image ready for your header. I needed a 1000 x 85 pixel image for mine. I also created a 1000 x 85 pixel blank image, too.

Step 1: Go to the Dashboard>> Appearance Menu>> Header. (Not in Suffusion yet, we’re still in WordPress!) DON’T select an image. Go down to Header Text. Check “Show header text with your image.” Why? Because this will create an anchor tag in the header for the image we wind up using. Also, make sure that a text color of some kind has been selected.

Step 2: Go to Suffusion Options>> Skinning>> Header. Select “Custom styles” in the first box (otherwise nothing will change.)

Step 3: For Header Background Image, select your BLANK header, and upload it.

Step 4: Set your tiling. I set mine to “Do not repeat.”

Step 5: Set the background image position. I used “Middle of the Page.”

Step 6: We’re STILL in the Suffusion >> Skinning>> Header menu. Go down to Header Foreground Image, and upload the image you want to use.

Step 7: Click on Save, and save the changes.

I added a few other things to my header, because I like it this way:

Step 8: Go to Suffusion Options >> Other Graphical Elements >> Header. For “Header Layout Style,” I selected “Header is outside the main wrapper, its background and contents are aligned with the main wrapper.” Because I like how it looks.

Step 9: For “Blog Title/ Header Alignment,” I chose “center.”

Step 10: For Description / Sub-Header Alignment, I chose “center” again.

Step 11: For Description / Sub-Header Vertical Alignment, relative to header, I chose “Below the header text.”

Step 12: Finally, to get rid of the Search box that always shows up in the header, go to Suffusion Options >> Sidebars >> Right Header Widgets, and select “Hide the search.” Voila! The search box is gone, no longer cluttering up the header image.

More importantly, when you click on the image at the top, you’ll go back to the home page! Just like a normal website!

Suffusion does some things that annoy me a bit, but generally it’s been a good template system to work with. It just has its own quirks that require some learning and experimenting with.

Cash Is Still King.

 Travel  Comments Off on Cash Is Still King.
Aug 022013
 

I went to a local grocery store for lunch today, not expecting it to turn into a Life Lesson, but that’s what happened.

The servers connected to the cash registers were down, making checking out an impossibility for most people, except me, because I always carry some cash. Being in a few hurricanes, and other natural disasters has taught me the value of always having a few greenbacks on me.

I got to the checkout aisle, and asked if cash would make things go faster, and a senior clerk leaned over from the other aisle, and told the clerk in my aisle not to scan anything, that she would handle it.

And she did. She totaled up my food, asked for $30, I gave it to her, and I was on my way, while the other folks trying to use plastic were standing around in frustration.

Always carry some cash. Even if you don’t think you’ll need it, one day, you will, and you’ll be glad you did.

Fahrenheit 451 or What Do I Do With These Things You Call “Books?”

 Education, Technology  Comments Off on Fahrenheit 451 or What Do I Do With These Things You Call “Books?”
Jul 312013
 

Lately I have been getting rid of books I don’t need. So far, I have donated about 8 boxes full to the local thrift shop. I set aside 2 boxes more for my friend’s son, who likes science fiction books.

My main targets for removal are old law books, old computer books, and out-of-copyright literary works. The law/computer books just aren’t current anymore, so other than as decorations or ballast, they don’t have much value. I’m hoping maybe decorators can use the law books, or someone might want the computer books for ballast.

The literary works I’m trying to give to people who can use them, but even that is difficult. With Project Gutenberg, I can download Mark Twain’s books whenever I feel like it, so having a paper copy doesn’t make any sense. But I know someone out there might want one. Someone like my mom, who looks at computers the same way you or I might look at a live snake.

I like books. They’re comforting. But I have too many, so the ones that don’t make the cut are going out the door.

O’Reilly has a good program going on. Register your O’Reilly books with the site, and you can get DRM-free e-book versions for $5 each. I spent a good two hours registering books, and I’ll probably start buying the e-book versions soon. I’ll probably get rid of some of the older paper copies either way. They just take up too much space.

Progress Report

 Art, Japanese Language, Music, News, Photography, Technology  Comments Off on Progress Report
Jul 252013
 

So I start a lot of projects on this blog, and some get finished, some don’t. I use David Allen’s “Getting Things Done” approach to constantly examine what I want to do vs. what I can do. GTD is a lifesaver in that regard. It helps keep me focused when sometimes it feels like I’m being torn apart by ducks.

So here are some short updates on projects I’ve been wanting to work on/finish.

The Grammar Songs

I discovered that in order to make it work, I need to improve both my Japanese and my music production skills. I studied music from 4th grade all the way through college, so I know a lot about performing music, but I don’t know as much as I should about composing and producing it, which are two entirely different skill sets.

I’ve been using Coursera to work on the production side, and now I need to work more on the composition side. And when it comes to writing lyrics, that’s the result of daily writing exercises.

My Japanese is pretty good, but it’s not quite at that level yet, so I’m working on it. Same goes for melodies. I’m looking for a way to get more music theory under my belt.

Japanese Studies

Those are going pretty well. JOI makes it easy to load up on classes for grammar, conversation, and vocabulary when I need to, and they meet my level, which is a godsend. Being an advanced student in a room full of beginners can be helpful sometimes, but it’s hard to make progress that way. So I’m glad JOI has classes that meet my needs. That’s going well so far.

Also, because of work, I work with Japanese people on a pretty regular basis. The only downside is that since we’re in the US, we mostly speak English and follow US business customs. Not all the time, but a lot of it. Those times when I need to slip into Japanese Mode it comes in really handy.

3D and 2D Art

Well… that had to get put on the “I’ll do it after the JLPT” pile. There’s just too much going on right now, and too many projects require my attention, so I find it’s best to whittle it down to what I can handle. I still want to get into it, but I need to find the right time/place to do it.

I sketch whenever I can. I’m not very good at it, but it’s relaxing, and it’s fun. It also helps me with my photography, and my eye for how I want to compose photos.

Where ARE the Photos?

That’s another thing that’s being put on the shelf for now. I have a giant pile of photos to edit, and just no time to do it. Editing requires big chunks of time for me, and unless I’m getting paid to do it, I just do it when I can. I’m going through the older stuff and gradually adding it, though. I don’t know of a good way to bump old posts up to the top of the site just because they have new material. Maybe I’ll create a new tag?

Calligraphy/Shodo

Well, ever since my class in Raleigh ended, I’ve been going to my usual calligraphy classes. Before the classes in Raleigh ended, though, I spent some time studying Edo-moji, and that was a lot of fun. Now I’m trying to decide what to do next in calligraphy/shodo.

Other Site Stuff

I recently moved the site over to Suffusion, and I like it as far as CMS/frameworks go. I can’t really call it a template, because it’s more like a framework you have to set up and tweak yourself to get it to really sing. My current design is a little Spartan, but I’m from the Jakob Nielsen school of web design. It needs to be easy to read, and accessible first above everything.

Learning Lightroom 5 with George

 Photography, Technology  Comments Off on Learning Lightroom 5 with George
Jul 182013
 

I’m getting the hang of Lightroom 5 now thanks to George Jardine’s excellent new video series on mastering Lightroom. It’s really worth checking out if you want to get the most out of your photos, or if you’re like me, and stare at a so-so photo for 10 minutes, trying to figure out how to tease out the little bits that will make it better.

Sometimes a photo just isn’t salvageable, and that’s a shame. But George’s videos bring more photos into range of “fixable” for me.

One of the tools he really focuses on is the tone curve, more so than the other exposure controls in Lightroom 5. The nice thing about the Tone Curve is that it will “unbunch” bunched-up tones, bringing out the contrast. It does so without smushing up other tones as much as the sliders do. At least that’s my experience so far. I need more practice with the tone curve to make it work really well, though.

I picked up his Library videos a while back, and those were really useful, too. I have all of my photos cataloged and stored in folders where I can find everything fairly quickly, all on a small portable USB-3 hard drive I move from computer to computer. That way I don’t have to worry about messing up my catalog file. I just back that up to a removable HDD on a regular basis.

I recommend all of his Lightroom videos, they’re worth the money and very informative.

The money you’ll save on never buying presets again will more than cover the cost. Really, why would anyone use presets? No two photos are alike, so why would you treat all of your photos as if they’re all the same? I don’t understand the thinking.

My main problem now is plowing through the 10,000+ photos in my library backlog. I love to shoot photos, but edit them? Not so much. Picking just a few is always so agonizing. I love them all, even the really bad ones.

Fireworks!

 Photography  Comments Off on Fireworks!
Jul 042013
 

Last year I tried to take photos of the fireworks in Chapel Hill, and was met with kind of “meh” results. This year I met up with my SO and her mom, and we went to the stadium again for more small-scale fireworks, and I tried to get some photos that were better than last year’s.

I probably should have brought my new tripod with me, but I was worried about it causing a problem at security. (It wouldn’t have. I was over-cautious.) Next year I’ll have to use a tripod, or a monopod.

The photos were okay, but nothing really earth-shattering. Some were artistic, in the way blurry photos can be sometimes.

The fireworks were fun, if a bit loud. They were exploding right on top of us, because they were launched right inside the football stadium.

The method I used was to put the camera on BULB, set it to F/13 or so, 100 ISO, then just open it up when the fireworks go up, and let it go after a second or two. A cable release works best here to avoid camera shake. The Nex has a wireless cable release, but it’s kind of annoying to use. So I wound up using my 60D.

I’m not sure how I feel about that now in retrospect.

I think the best combo would be the Nex with the Leica 21, set to F13 or F16, a tripod, and cross my fingers a bit.

I’ll have to give it a shot next year.

Wrightsville Beach

 Food, Travel  Comments Off on Wrightsville Beach
Jun 202013
 

I just got back from the annual family trip to Wrightsville Beach, NC, where every year for the past 30 years or so, my folks and my aunt’s family all get together and take over a beach house for a week.

It’s a great time to catch up with family, play setback, eat, kick back and relax. My dad’s cousin and his kids and grandkids all visited, too. They usually come for dinner one night on the weekend. The house gets crazy crowded, but it’s fun.

I made sure to visit the Trolly Stop (yes, that’s the correct spelling) for the best hot dogs in N.C., and we went to Genki Sushi for lunch. Sugi-san makes some wicked good food.

The only thing we didn’t get to do was go to Britt’s Donuts in Carolina Beach, N.C. It was a little far to drive for donuts, even if they’re some of the best donuts in the country. We’ll have to go next time.

I feel recharged… I also feel like I need to eat nothing but raw vegetables for the next few weeks.

Back Home Again

 Photography, Travel  Comments Off on Back Home Again
May 292013
 

I’m home. The trip to Asheville was full of photo opportunities, so I took a bunch of pictures.

One night there were fireworks in the valley.

And on the 27th, I went to Mt. Mitchell to try out the auto-bracketing of my Nex.

I also picked up a new small, compact, light-ish aluminum tripod made by MeFoto. It folds up pretty small, and the legs will lock in 3 different positions. It’s nice and light, and compact. I’ll have to give it more of a workout to see how it holds up to more rigorous travel, but so far it looks good. It’s a lot better than my old Slik tripod that cracked and broke, or my 25-lb Manfrotto, which is great for video, but terrible for carrying up a mountain.

Now I’m back home, because I have work tomorrow. Lately I’ve been working for a Japanese company in RTP, helping their legal staff understand the US legal system and US culture. It’s been a win-win of sorts, because they get help on English stuff, and I get to use my Japanese every now and then.

Headed to Asheville

 Japanese Language, Travel  Comments Off on Headed to Asheville
May 242013
 

I’m headed off to Asheville for the next few days to help my folks out around the house a bit.

The online classes at JOI are going pretty well so far. I like the structure, and the pricing is good. The teachers are doing a great job, and I’m learning a bunch. (Like how much I don’t know!)

If you’re looking for a way to work on your Japanese, and there isn’t a language school nearby, I’d recommend giving them a try. It’s only $9 to try it out.

Grabbing the N1 Bull by the Horns

 Education, Japanese Language, Technology  Comments Off on Grabbing the N1 Bull by the Horns
May 072013
 

Well, it’s May, and that means it’s time to start getting ready for the N1 again. This time, I’m going to get more serious about it than last time, because I have some pockets of free time here and there to work on it.

My calligraphy class, which was taught in Japanese, is now over for good, so I have one less way to speak/learn. I had a lot of fun there, even though it was a one-hour drive each way for a one-hour class (well, it usually ran a bit over, but I really enjoyed it!)

That class, plus my twice-weekly business Japanese sessions have helped me keep my conversational skills going, but it’s hard for me to keep my grammar and vocabulary knowledge highly polished without doing some sort of language classes that focus on it.

Going over some of my notes from Yamasa really shows how much rust can build up in unseen areas. I notice that there are some grammar phrases I should be using, but I just never use in daily conversation, so I need to focus on those a bit more.

So this week, I’m going to try out the Japanese Online Institute. It’s an online speech + chat + whiteboard-based way to learn Japanese in either small groups or privately. The first 3 lessons are only $9, so I’m game to try. After that, group lessons range in price from 500 yen (if you buy 180 lessons) to 900 yen (if you buy 5). The dollar/yen pricing is a bit off, probably due to the plummeting yen.

If I like the classes, then I’ll probably pony up a decent chunk of cash to get some lessons at a discount. I want pummel the N1 this year, so I don’t have to mess with it anymore.

They have a nice variety of classes, so it looks promising.

Done with Intro to Music Production

 Education, Music, Technology  Comments Off on Done with Intro to Music Production
Apr 272013
 

That was fun.

I just finished up the Berklee Intro to Music Production class on Coursera. I learned a lot, and had a lot of fun doing it. I would love to be able to point you to my insanely popular tracks that are burning up all of the interwebs, but I’m still a scrub in that respect. The only way to get good at most things in life is to practice.

My only problem is that I keep coming across new and interesting things to do. Ahh! I need another 10 hours in the day. Someone get on that for me.

AB!

 Food  Comments Off on AB!
Apr 192013
 

I’m a Good Eats fan. I’ve been a fan since the show first came on around 2000 for two reasons. First, Alton Brown is entertaining and writes a really fun and educational show, and second, he teaches the science behind cooking. I respect a well-produced show, and I love science in my cooking.

So it was a thrill to see Alton Brown perform live at DPAC in Durham last night. It was pretty awesome, if a bit random. He’s getting a show ready to take on tour, so things were a little improvised, but it was very enjoyable. He experimented with dry ice, liquid nitrogen, and other fun, moderately dangerous items to make food. Not necessarily the kind of stuff you’ll have lying around the kitchen.

One irritating thing: they said a few times, “No photography, please.” So what did the guy next to me do? Immediately stand up and shoot photos with his cell phone.

Pardon me, while I rest my face in my palm for a few minutes.

Alton did a Q-and-A after the show for about 30 minutes. I had no Qs for him to A, so I just enjoyed listening to everyone else’s questions.

If he comes to your town, I highly recommend checking his show out.

3D and 2D Resources for Blender, Metasequoia, Inkscape, and Sketchbook

 Art, Japanese Language, Technology  Comments Off on 3D and 2D Resources for Blender, Metasequoia, Inkscape, and Sketchbook
Mar 122013
 

As I’ve been messing around with Metasequoia more and more, I realize that DeviantArt tutorials, while useful, will only get me so far. There are some really great tutorials out there, but it takes time to find the ones that apply to what I need to know, or the things I don’t know I need to know.

Things like how important it is to have a good set of references before I even start 3D modeling. It’s the sort of thing I knew, but didn’t really grab it until I had a few consecutive failures.

So I decided to double-skill-up (or maybe even triple/quadruple), by getting some books on 3D character creation in Metasequoia and Blender in Japanese.

I wound up buying all three books in the 3DCG日和 (3DCG biyori) series, as well as a book called 3D Character Animation Manual (it’s also in Japanese.)

3DCG日和

Volume 1 of 3DCG日和 covers the basics. And I mean it. It goes through everything you need to know to get up and running with Metasequoia, and explains why you need to drop the $45 on licensing it. (Plugins like Keynote don’t work without it, and you can’t save in other formats!) The tutorials are pretty easy to follow if you speak N2 level Japanese, or can handle N3 if you don’t mind looking up some stuff.

If you stick it out, you’ll make 5 or so models of varying types, from the dead-simple-easy dice-head guy to a big bad demon-type character. The exercises ramp up in levels of difficulty. It also covers UVs as well. The book covers low-polygon to mid-level polygon count figures.

There’s also some info on designing characters in Paint Tool SAI, a program I don’t have much experience with.

All of the illustrations are in color, so it’s easy to follow. One downside, it’s a 2009 book, so it covers an older version of Metasequoia, but I haven’t really run into any problems with it.

Volume 2 … I haven’t worked with yet. All color illustrations, though, and it takes you through building a model, adding clothes and bones, and animating it. It came out in 2010, so it should have some updated info on the first book. Also, make sure to check the publisher’s website for errata in volume 2.

Volume 3: To be honest I haven’t worked with it yet either, but after spending an hour reading it, it looks promising. It’s devoted to building 3D characters in Blender, which is a powerful (and at times frustrating for me) program. I’m looking forward to improving my Blender skills.

You learn by creating two characters: one low-poly, and one high-poly. It covers skinning and boning and animating as well. It came out in 2012, and covers Blender 2.6. (The current version of Blender is 2.66, so it’s pretty close.)

None of the 3DCG日和 books comes with a CD/DVD, for which I am grateful, to be honest. I’m tired of keeping track of all the coasters I get with books these days. You can download everything you need from the websites in the books. All three books are in full color, and for computer books, aren’t all that expensive: around 2500 yen a piece. That’s about $27-28 per book, plus there’s shipping, but you’d probably pay $50-$60 for similar books in English.

The 3D Character Animation Manual

The 3D Character Animation Manual is a good all-around book for learning the process. It starts from the design phase, where the author introduced me to Inkscape, which is an awesome freeware vector graphics program. (Think open-source Illustrator, but just as powerful.)

One thing he pointed out was the importance of having a good design and locking it down before you start modeling. That’s actually really good advice. ISAO gives similar advice in volume 1 of 3DCG日和. I’ve been polishing my drafting skills, because I’m out of practice. Ugh.

The 3D Character Animation Manual also covers the process of building a model, designing clothes, creating the graphic skins for it, and adding bones. It also goes into how to use Keynote, which is a plugin a lot of Metasequoia users are interested in using, but sometimes folks have some frustrating results.

Like volume 1 of 3DCG日和, it’s a 2009 book, so some info may be a bit dated, but I haven’t seen anything better than these two books on Metasequoia that’s any more current. If you’ve seen anything newer, let me know.

The 3D Character Animation Manual goes for 2800 yen new. About $30-31 these days.

The tutorials are pretty straightforward, and are in N2 level Japanese. N3 if you have a dictionary handy. It comes with color illustrations and a CD-Rom with the model data on it, an old version of Metasequoia, a plugin for handling UVs, and some extras. It’s about 100 MB of data. Most importantly, it has the X and Z guide image files for creating the face/hair/accessories for the tutorial character. You might have to dig a little to find them, but they’re all there.

Sketchbook Pro 6

So as part of learning how to make my own 3D stuff, I have been working on my 2D graphic arts, and wow, are they rusty. Fortunately, with some work, they have come back pretty quickly. Having a good sketchbook, a good eraser stick, and some good, sharp pencils helps, but so does having a good graphics and illustration program and a tablet that doesn’t suck.

I’ve been using Photoshop since version 4.0 in the mid-90s. Yes, I’ve been using it that long. And there are parts of it I still don’t entirely get. In fact, Photoshop is probably one of my least favorite programs for about 85-90% of what I do. But for that last 10-15% it’s vital.

I was getting frustrated with Photoshop and was looking for a good sketching program, and started looking.

A lot of people recommended Autodesk’s Sketchbook Pro, version 6. It’s not a bad program. It has some useful features, like an ability to mirror across the center line. That’s handy for drawing things like eyes, eyebrows, ears, and other things that need to be symmetrical, but it only works if you draw head-on all the time.

It also has some useful tools, like a circle that you can plop down, and no matter how you draw, it comes out as a circle, or as a segment of one. It also has a set of French Curves, which were fine until I wanted to flip them over and use the reverse side… that irritated the hell out of me, because there was no way to do that without using mirroring, which I couldn’t use.

The brushes also irritated me. I’m a fan of Photoshop’s pencil. It’s a mighty layer of hard pixels. I want a black pixel there, I get it. No anti-aliasing, just pixels. I love that. But in Sketchbook, it requires setting up a custom brush, then futzing with it ad nauseam, and I still didn’t like the results. I suppose if you want that watercolor or marker look, it’s great. Heck, it even comes with a set of virtual Copic markers, so that can’t be too bad.

But it’s probably not going to see much use from me.

It’s about $35 for the CD version on Amazon, and $60 if you buy the download version from Autodesk. Yes, that’s correct. The disk is cheaper than the download. I don’t recommend dropping your money on it, unless you have to have a raster graphics drawing program. There are better programs out there.

Like Inkscape.

Inkscape is Inkredible

I discovered Inkscape when reading The 3D Character Animation Manual. The author was discussing how important it is to create a front and side view of the character you want to create that is in perfect proportion. And he was showing how he did it in Inkscape, and it looked really good.

The best part about Inkscape is that it is open-source. Free. As in beer and in speech. I had some bad experiences with the GIMP a while back, so I was a little hesitant, but Inkscape is a better Illustrator than Illustrator. It’s dead simple to use, has easy-to-understand context menus, and it’s easy to wrangle the panels. (It is always a chore in Adobe products to get those things out of my sight. I hate little context menus covering my artwork all the time.)

Okay, I’m exaggerating a bit. You do need to read some tutorials on Inkscape before you start using it. It’s not 100% intuitive. But it only took me 3-4 DeviantArt tutorials before I was up and running. Look for microUgly’s guide and White_Heron’s tutorials. Both are very useful.

I never really liked using vector graphics, probably because I didn’t like Illustrator. I like them now. Inkscape has given me all kinds of ideas for things I want to try.

Digital Sound Design Class

 Music, Technology  Comments Off on Digital Sound Design Class
Feb 272013
 

Well, the intro to digital sound design class on Coursera is over. That was an interesting class, and I learned a lot. I’m looking forward to the next class I’m going to take on Coursera, Intro to Music Production, taught by one of the faculty at Berklee. It will be interesting to see what’s the same, and what’s different. I wonder if they will cover anything related to Reason, my DAW of choice. I don’t really use Cubase as much as I should, but it’s because I’m not invested in VSTs.

Support Your Local Hackerspace (Blender and Metasequoia)

 Art, Technology  Comments Off on Support Your Local Hackerspace (Blender and Metasequoia)
Feb 242013
 

I stopped by our local hackerspace, Splat Space, for a Blender workshop yesterday. Blender is used for 3D modeling, and it’s something I’ve always been kind of curious about. It was a good introduction to what the software could do. Blender can do a lot of interesting stuff. Also, the people at Splat Space are pretty cool. Sometime I’d like to drop in and learn more about maker-y stuff. (Like 3D Printing, learning to solder, and building my own synth. That would be fun.)

When I got back home, I decided to look up some tutorials on the internet, and got a better idea of how to use Blender. It’s pretty powerful, considering that it’s free. But the one thing I can’t get over is the reversed mouse buttons. That drives me nuts. You can change them, but I’m not a fan of Blender’s interface. Maybe after I use it more, I’ll feel more comfortable with it.

I also started messing around with another 3D modeling program called Metasequoia, which has been around since 1999, according to Wikipedia. (So it must be true.)

The LE version is free, but it has some limitations on the use of plugins and file types, which can be a bit of a problem later on. The full version is only $45. Considering that some of the higher-end programs can easily run into the thousands, this is a bargain.

The original program was written in Japanese, and so was the help file. The English translation is serviceable, but in order to find out how to use the program, I went to the Internet for help. DeviantArt and YouTube saved me in that department.

I’ve been messing around with Metasequoia all day. It’s a lot of fun to play with. I can see how one could easily lose track of several days like this. And Metasequoia itself is pretty straightforward to figure out.

FM Synthesis

 Music, Technology  Comments Off on FM Synthesis
Feb 172013
 

When Propellerhead Software released their new PX7 FM synthesizer for Reason last fall, I bought it on sale because I fell in love with the sounds of my childhood. It comes with over 100,000 patches that are translated from the Yamaha DX7, and that’s great.

But there’s one small problem: I don’t know anything about programming an FM synthesizer. I understand the basic theory behind FM synthesis and how it works, but I don’t know how to turn that into PX7 patches that sound musical and not like train horns. Yes, I could just use the 100k I got from the Props, but I’d also like to make my own.

Someone on the Propellerhead User Forum suggested this book: “FM Theory and Applications by Musicians for Musicians,” by Dr. John Chowning and David Bristow, Yamaha, 1986. I went to my local library and requested a copy, and they got it through an interlibrary loan. It just came in today. Looking forward to reading it, and maybe untangling those FM mysteries.

Also, I’m really enjoying the sound design class on Coursera so far. It’s all pretty easy to understand and relatively straightforward. Some of it I already know, some I don’t.

Snow and NEX BIOS Update

 Photography, Technology  Comments Off on Snow and NEX BIOS Update
Feb 132013
 

Two exciting things happened in my world today.

First, it snowed! Okay, it didn’t stick, and it wasn’t a whole lot, but it was pretty.

Second, Sony released a proper BIOS for the Nex 5N! Now it will do auto-bracketing of up to +/- 3.0 EV! That’s huge! Now the Nex is a “proper” camera in my opinion. I’m sufficiently pleased with it to the point that I’m okay with it if Sony abandons it from here on out. (They probably will, anyway, new NEX models have been out for a while now.)

Coursera-sera // Nektar Panorama P4

 Education, Music, Technology  Comments Off on Coursera-sera // Nektar Panorama P4
Feb 092013
 

I signed up for Coursera today, mainly because I was interested in an Intro to Sound Design class taught by Steve Everett of Emory University. I’m coming in a little late, but I’ll still have time to finish it and get my certificate, if that’s what I want. What I really want is to learn how to do sound design.

I’ve been trying to get more and more into music production, but it’s always a question of time. I don’t seem to have enough of it to figure this all out on my own, so I’m hoping I can pick up some knowledge here and skip ahead a few steps.

I like the offerings in Coursera, but I wish they had more of a Udacity model that lets me pick up and finish a class whenever I feel like it, kind of like Khan Academy, only with certificates if I want one.

All three sites are pretty amazing in their own way, but it’s still a matter of making the time to get the work done.

Nektar Panorama P4

I keep forgetting to mention this. A few weeks ago my patched-together Edirol MIDI controller was dying again, and this time, no amount of pencil work could bring the dead keys back.

So I started looking at new MIDI controllers. I first went to the local Large Music Supply chain store, and tried a bunch of keyboards out, and just wasn’t impressed with any of them. Some were too mushy, some were too hard, none were what I was looking for.

I could have spent $300 now, and wound up buying another new keyboard in six months when I got sick of it.

So I kept looking, this time online. I decided to give the Nektar Panorama P4 a try. Amazon is good about taking returns, so why not?

The P4 has really tight integration with Reason, and the keys feel great. There’s some weight, but not full weight. The display and rotary knobs/sliders mean that I don’t have to fiddle with the computer as much.

Nektar also says that they’ll be doing frequent updates to keep up with the growing number of Rack Extensions in Reason. If a RE isn’t mapped, you can’t do anything with it from the P4. That’s kind of annoying, but it only affects the latest REs.

I like this growing trend of creating instruments that feel like instruments, and pull me away from the monitor.

Snow in the Mountains Again.

 Photography, Travel  Comments Off on Snow in the Mountains Again.
Dec 272012
 

It snowed last night and this morning in the mountains. I was up here with the whole family for Christmas. It was 2010 when it snowed about a foot up here. This time, it’s just a light dusting, maybe half an inch to an inch, which is really nothing for the mountains.

While I’ve been up here, I have taken a ton of photos of the mountains. Editing them is going to be like cleaning the Augean Stables.

I’ll edit this post once I’m all caught up.

In the Mountains Again

 Photography, Travel  Comments Off on In the Mountains Again
Dec 102012
 

I spent the last few days in the mountains, and came back in time for my calligraphy class in Raleigh tonight. I took a lot of photos of the mountains, and some good macro shots of Christmas tree ornaments. I really like the Canon 50/3.5 FD macro + NEX combination. It really needs a tripod to be perfect, but it’s just fun to mess around with.

Photography Stuff

 Photography  Comments Off on Photography Stuff
Dec 032012
 

One of the projects I want to get off the ground is copying a bunch of old slides I have. So I got out my old Kodak RFS 3600 scanner, plugged it in, and it just flashed lights at me. I emailed PIE International, the company that made it, and still makes a variant of it 10 years later, and they regretfully informed me that the RAM was dead.

I don’t feel like dropping more money on a scanner. I’d like to find a faster solution. And I think I did. Maybe.

According to some posts I’ve been reading on the DPReview message board, it looks like the best solution is going to be in 40-year-old technology. I picked up a Canon 35mm FD 3.5 lens, a Canon Bellows FL, and a Canon slide copier from KEH, and I also got an FD-E-mount adaptor ring to get it all to fit on my Nex.

It kind of works. It kind of doesn’t, because I haven’t figured out how to make the bellows fit tight enough to the body so that I get all 100% of the slide image in the slide copier. I can get about 98% of it, and me being me, that last 2% bugs the heck out of me. The solution probably involves removing the FL mount from the bellows, and changing it to something thinner, but I need to get help on that.

I tried mounting a 28mm lens, and that was a total bust. If I go wider than 35mm, the slide copier stops working, because I can’t focus it properly. So I’ll need to spend some time figuring out how to fix the lens mounts.

I also picked up a Canon FD 50mm f3.5 macro lens with a 2x extension tube. That’s a lot of fun.

Another December, Another Try at the N1. (Day Two.)

 Japanese Language, Travel  Comments Off on Another December, Another Try at the N1. (Day Two.)
Dec 022012
 

I got up early, ate breakfast, tried to study, failed at that, and then just made sure my stomach was in good shape.

I decided to walk to the test site, even though my ankle has been bugging me. It was good to walk off any stress, but it made my ankle hurt a bit, and I wound up sweating like a pig. I forgot that I was wearing cotton, and layers of it. It was cold when I left the hotel, but by the time I got to Georgetown’s campus, I had turned into Sweaty Guy.

I had neglected to take my own repeated advice to wear some wicking layers. Doh.

I got to the ICC on the Georgetown Campus with plenty of time to spare, and took a few minutes to cool down and get comfortable. To me, the most important thing in one of these tests is to be comfortable, with no outside distractions, like being too hot or too cold. So I usually come to these kinds of tests with a bag full of stuff, just in case.

The N1 itself was about as I expected. I need to work on my vocabulary some more. The listening section was surprisingly difficult. Considering how much Japanese I listen to on a daily basis, I was often left with no other choice but to guess. That was frustrating.

I listen to the news in Japanese every day, watch lots of variety shows, listen to podcasts, etc., and I can follow that stuff just fine. But the N1? Forget it. I had a heck of a time following those speakers for some reason. Maybe I was tired, I don’t know. But it’s frustrating nonetheless.

I suppose for next time, I’ll focus on specific N1 listening prep, but I hate having to do that. I feel like it sabotages my ability to deal with the language on a normal basis, because the N1 feels very artificial. Ugh.

I think I did pretty well on the reading section, but I’ll probably have to take it again anyway. Grammar wasn’t too hard, but there were some words I have never seen before.

I’m pretty sure I didn’t pass, so I’ll need to figure out where my deficiencies are so I can get closer to passing next time. I don’t sit down and study Japanese 24/7, because I have work to do. Instead, I try to fit it in where I can. I’ll have to think about this some more.

Walking Around Georgetown

After the test was over, I headed back to the hotel. I was going to flag down a cab, but as I walked back, I just couldn’t seem to catch one. That was weird for a big city like DC.

About 1/3rd of the way back, I stopped at a Five Guys for an early-ish dinner. I lucked out, too, because I managed to dodge a random rain shower that hit while I was eating.

Go me.

As I was heading back along M street through Georgetown, a paper store caught my eye. The had a good selection of Japanese paper with some really nice floral prints that I know my sister will love. I got her some at Ito-ya in Ginza last year for Christmas as well, and I’m sure she’ll like these as well.

Then I went back to the hotel.

Random Stuff

I packed croutons and salad dressing, but I forgot the lettuce! I think I’ll pass on the crouton salad.

Now that the exam is over, I’m all relaxed. And now that I don’t have to study in particular (at least for tonight), I’m really bored. I’ll probably go to bed early so I can get home quickly.

I heard from my friend Michael, and he’s in town for a few days, so I’ll meet up with him tomorrow night. Gotta hit the road first thing in the morning!

DC and the JLPT (Day One)

 Japanese Language, Travel  Comments Off on DC and the JLPT (Day One)
Dec 012012
 

I drove up to DC today, and got settled the night before the JLPT tomorrow. I’m going to attempt the N1 exam again, although I’m not going to bet on my chances. I know I need to work on my Japanese some more. My vocabulary just isn’t quite there yet. It’s perfectly fine for everyday stuff, it’s not there for N1 yet.

The drive up was pretty uneventful. I listened to a bunch of podcasts in Japanese in the hopes of improving my listening for the exam. I’m getting better in that regard.

I used not to be able to understand “Tokyo Local” at all, because Manabe-san just talks way too fast for me to keep up, but now I’m finding myself keeping up with about 80% of what’s going on, and that’s not too bad.

“Tokyo Local” was a really interesting podcast, but it got cancelled. The first few seasons were really fun to listen to, then it turned into kind of a cosmetics show and I don’t know why. Also, once it got cancelled, the archive just disappeared.

It’s a good change of pace for me from all the news that I usually listen to.

I’m staying at the Embassy Suites in DuPont Circle here in DC. It’s a nice hotel, but they like the extra charges. $40/day for parking (ouch!), and $12.95/night for internet (oogah!). So I’m going without Intenet this weekend. I can’t go without parking, so I have to cut back somewhere.

(How is this being published then? Magic!)

Flick(r) on the Forehead

 Photography, Technology  Comments Off on Flick(r) on the Forehead
Nov 152012
 

Getting Lightroom and Flickr to play nice with each other has been a bit tricky for me, but I think I’ve managed to find all of the tools I need.

Setting up the Flickr Publish Service

For starters, I had to set up the Flickr publishing service in Lightroom. I keep hearing that there’s a plugin that’s even better at Flickr, but I managed to get the native Lightroom plugin to work pretty well, so I’m not going to mess with it yet. You can find a lot of videos about how to set up the Flickr publishing service by searching YouTube. I just figured it out from the menu. It’s not too hard if you’ve set up other programs to work with Flickr before.

Before you Sync your Flickr account with Lightroom, be careful about how you want to handle your metadata. If you’ve gone to the trouble to write up a bunch of comments and titles for your photos, make sure you set up the Flickr publish service for Flickr so that it doesn’t overwrite them with the photo metadata in Lightroom. (Unless that’s what you want.)

LR/Mogrify 2

I came across this plugin while looking for more information on setting up Flickr and Lightroom, and there’s a ton of people who love it. I headed to Photographer’s Toolbox, donated some money, and got the plugin.

MAKE SURE you download LR/Mogrify 2. If you get a bunch of errors in Lightroom, then you may have downloaded version 1 accidentally.

I had to install ImageMagick first. There’s a link on the LR/Mogrify page to ImageMagick, and ImageMagick is free.

LR/Mogrify 2 uses ImageMagick’s mogrify function to add some post-processing magic to your photos when you publish them.

I use it for 2 things:

I want to put a thin black border on the edge of all of my photos, so they look better in my blog. LR/Mogrify does borders really well. You can add as many as you want, and they’re non-destructive. They don’t cover any of the image. Instead, they add to the “canvas” size and wrap the border around the edge. I set my borders to 0.3% of the image size, equal on all sides, but you can do all kinds of fancy stuff with it.

I want to put a watermark on my photos that looks a little better than the built-in Adobe watermark. I found a post here that shows a really easy way to set up a drop-shadow watermark that will work on both light and dark photos.

To set up the watermark, you need to set up two instances of Mogrify Text Annotations. Mogrify doesn’t work exactly like the post shows anymore. You need to add a second line in the entry for text annotations. In the first entry, enter your watermark, pick a light color, and set the opacity to something you like. In the second entry, enter the same watermark, pick a dark color, and set the opacity. With the second entry, set the offset to 2px for each. This will create the drop shadow.

To test my LR/Mogrify setup and other Flickr Publish Service settings, I picked four photos that were verticals, horizontals, light, and dark, and set up the Publish Service for the Hard Drive exactly like I did for Flickr, to see how it would turn out.

It took some tweaking, but I got a look I like.

I still hadn’t published anything to Flickr at this point. Now I had to sync up my library with my Flickr sets.

Syncing Your Flickr Photo Collections With Lightroom Using ReSync

The next thing that needs to be done, if you’ve already got a lot of photos on Flickr, is to get your collections on Flickr in sync with your library in Lightroom. Doing it manually would be an insane amount of work if you’ve published a lot of photos.

That’s where Flickr ReSync comes in.

Download the latest version. 0.9.4 works just fine with LR 4.2, unless there’s a newer version up there. Follow the installation instructions. It installs like any plugin. Unzip and copy to Lightroom’s plugins folder.

Once I had it installed, I wasn’t sure how to get it to work. I couldn’t find a big shiny “Press me!” button. After going through the readme file in the zip file of version 0.6, I figured it out. Here’s how to use the plugin:

First, from Lightroom, after you’ve activated the plugin, restart Lightroom. (Just in case.)

Now, import all of the photos from your hard drive that are also in your Flickr account into your library. It might take a while, so go get some coffee.

While Lightroom is grinding through that, I’ll tell you how ReSync works– it matches the date and time you shot the photo with the date and time of your photos on Flickr. As long as you haven’t trashed your metadata, you should be fine.

Now that you have a library full of photos, you need to sync them up with your Flickr account. ReSync will create a bunch of Lightroom smart collections that will correspond to your various photosets in Flickr, and link them up with the photos you already have posted in Flickr.

To start syncing, go to the Library menu in Lightoom, drop down to Plug-In Extras, then select Automatic ReSync from the Flickr Resync submenu.

Go get some more coffee. This is going to take a while.

You may wind up with a stack of photos that the program can’t figure out. It’s pretty good about presenting you with a set of choices. Pick the photo you want to sync up with the photo on Flickr.

Now you should have a bunch of smart collections in your Flickr Publish Service area.

Fixing The Flickr Publish Set Order Bug in Lightroom 4.2

There’s one other thing that tripped me up: the sort order in the Lightroom library may not be the same as the sort order in your Flickr sets. I noticed that my sets were getting tossed in all directions, and Lightroom was the culprit. My photo sets were getting put in reverse order, from last to first. Annoying.

Here’s how I fixed it.

Go to library mode.

Now look at the bottom of main window in grid view. You should see a little drop down that says Sort: I picked Capture Time, because that’s how I want my sets to be sorted.

Then I set the order to a->z.

This alone won’t fix it. After that, go down to the filmstrip at the bottom of the screen, click on the thumbnail image of one of the photos, and drag it over to the side. Release it. Now drag it back to where it was.

The Sort: field should now say User Order.

Add a dummy tag or fiddle with all of the photos in develop mode, or just put them all on the map. Do something that makes Lightroom want to republish everything.

Republish the whole set. It should come out in the order you want now. This is a bug that Adobe has yet to fix for whatever reason.

Another good way around this is to use Jeffrey Friedl’s Flickr Publish plugin. Now that I have Lightroom obeying me, though, I don’t want to change anything. Part of me is afraid that changing my publishing plugin will cause me to lose all of my sets, and I cannot have that happening.

At first, finding all of this information required a lot of work, but once I got everything set up, I was kicking myself for not doing this sooner. It’s slightly complex, but the tools that are out there make it really easy to do.

I’ll put all of the important links here:
LR/Mogrify 2
ImageMagick (Needed if you’re installing on Windows)
Post on drop shadow watermarks in LR/Mogrify
Another post on how to do watermarks in LR/Mogrify, but nothing on drop shadows.
Flickr Resync
Jeffrey Friedl’s Flickr Plugin

Lighting up Lightroom

 Photography, Technology  Comments Off on Lighting up Lightroom
Nov 122012
 

I bought Adobe Lightroom 3.0 a year ago, before my trip to Japan last fall, along with the Photoshop CS5 upgrade. At the time, I figured that when I got to Japan, I would shoot a bunch of photos, and have the time to edit and sort them out. And somewhere in there, I’d have time to figure out how Lightroom worked, too.

How naive.

In reality, when I wasn’t wandering around in my spare time, I was studying until I passed out during the week. There was no time to learn something like Lightroom, which looked alien to me, who has used various iterations of Photoshop since version 3.0. (Not CS 3.0, 3.0.)

When I got back from Boston this year, I decided that my photos are not going to organize themselves, so I fired up Lightroom. “Let’s get this over with,” I thought with the same excitement one feels when going for a root canal.

And then I found out that Lightroom had been upgraded to version 4.0 (now 4.2, going on 4.3), and all of the cool kids were raving about it. Well, truthfully, they were raving about 3.0, too, but now it seemed like Lightroom did some cooler stuff, and generally processed photos better.

So I upgraded.

Learning to Love Lightroom

At first, I started messing with things to see what did what, and watched a few Adobe TV videos to get the feel for it, but while the library was pretty easy to figure out for someone like me who is familiar with databases, I had no idea what was going on in the develop module.

While I was desperately searching for some kind of help, I just happened to come across a link to George Jardine’s videos about Lightroom. Really, if I hadn’t been reading a totally unrelated thread on the Adobe message boards, I’m not sure I would have found these videos, and that would have been a shame.

George’s develop video series is about 6 hours long, and it contains 18 videos. I spent a weekend marathoning it, and by the time I was done, I finally understood how Lightroom’s develop module works, and I managed to figure out a way to process photos in a way that gives me results I like.

If you’re someone who likes to learn via YouTube, and are struggling with getting Lightroom to sing, I highly recommend George Jardine’s videos. They’re awesome. Just give up a day or two and watch them, then play with Lightroom to see what he’s getting at.

I have a bad habit of buying 4-inch thick $50 computer books, and later using them as doorstops. I have discovered that I just learn faster by watching videos of someone showing me how to do it.

One other thing: it took me until the series was completely over to really get everything sorted out in my head. I would recommend waiting until the last video before messing with publishing anything online, because you’ll wind up republishing it again.

And again.

If you’re like me, and have a massive pile of unprocessed photos, I highly recommend Lightroom. Once you get the process down, it’s an order of magnitude or two faster than Photoshop to power through with lots of quick, non-destructive edits. Now I don’t have to worry about saving 10 different versions of a 50MB file just to make sure I don’t screw things up. I can just dump all of my photos in one place, and let Lightroom do its thing.

More importantly, from within Lightroom I can publish my photos to my Flickr account, to my Picasa account, or send them to Costco to be printed up however I want. I love the plugins.

Here are a few links to some useful Lightroom sites:
http://thelightroomlab.com
http://www.lightroomforums.net/
http://tv.adobe.com/product/lightroom/episode/highest-rated/playlist/
http://www.lightroomqueen.com
http://www.mulita.com/

Calibrate that Nasty Monitor!

Before you start editing a bunch of photos, I would suggest that you do two things:

1. Calibrate your monitor. If you don’t know what that means, head to http://www.digitaldog.net and learn all about it.

I use a Spyder 3 Pro, and it does a pretty good job. You don’t have to get a Spyder, but get something to help you calibrate.

2. If you can’t find lens profiles for your camera/lens combo, you might want to create some of your own. Go to the Adobe web site and search for Adobe Lens Profile Downloader and Adobe Lens Profile Creator. With the downloader, you can search for profiles other people have uploaded, and with the creator, you can just make your own for those weird lenses you got off of eBay.

Another thing to consider, if you’re finicky about color, is the XRite ColorChecker Passport. It’s pretty handy for getting those white balances nailed, when the light is uniform. (When you’re dealing with mixed light, well, good luck with that.)

Liberated from Leica Lens Limbo (or Nex!)

 Photography  Comments Off on Liberated from Leica Lens Limbo (or Nex!)
Oct 292012
 

I mentioned that I’m using a Sony Nex in the blog on the trip to Boston, but I didn’t go into much detail about it.

Right before I headed off to Boston, I found a really good deal on the Nex 5N bundle, and picked one up. What impresses me about the Nex is not only the pictures it takes, but its E mount, which, with the right adapter, will take Leica M mount lenses.

This is very important to me!

A Little Backstory

Long ago, when I was in Journalism school, I bought a Leica M6 TTL, and it was (and still is) a great camera. The only problem I had with it is that by about 2006 or so I wanted to shoot digital, because it’s a much easier workflow. Is it better than film? Well, that’s another post.

Leica came out with its digital camera bodies around 2008 or so, and while I was excited by the concept, I was not excited about the price. At the time, I didn’t have $4000-$5000 lying around for what was essentially a camera body that will be worthless in 2-3 years.

The M8 was a fine camera, and while it had all of the Leica Juice going for it, as a digital platform, it was average at best.

Then Leica came out with the M9. It’s a much better camera than the M8, but it’s not worth $5-$6k. Meanwhile, companies like Canon, Nikon, and even Sony are pushing the limits of what prosumer cameras can do.

I love shooting Leica cameras. They’re excellent machines. They’re just not worth $7000. The M9 would have to do much much more than it does to merit $7k.

And it doesn’t. Leica does a great job of fitting its great lenses to a digital body, but that digital body isn’t any better than the digital body I could get from Canon or Nikon for 1/3 the price.

So for the last 5-6 years, my Leica gear has been gathering dust because Leica has failed to reach me as a former customer.

The company has priced me out of pretty much ever wanting to buy their gear again. The lenses are incredible, but I don’t have that kind of cash lying around. In the early 2000s, when lenses were more reasonably priced, I could afford to stay in the Leica system, but until now, it’s been impossible.

Saved by Sony

Then Sony released the Nex. I wasn’t particularly impressed by the first Nex, except for its ability to take M glass. My take on it then was that it was neat, but ultimately there were too many compromises.

So I waited.

When I saw the prices coming down on the 5N, I was ready to buy. I feel like the Nex has come far enough along, and the 5N was at a price point I could stomach.

I’m happy… for the most part.

It comes with a 18-55 kit lens, which is okay, but generally forgettable. It’s something to use for making videos with, because it’s autofocus, but as a tube with glass in it for taking pictures? I’m not too impressed. It’s a kit lens after all.

I picked up a $30 adapter ring, and all of my Leica lenses fit well enough. My 21mm doesn’t fit perfectly, but it’s good enough. (The latch doesn’t completely engage, but it engages.) The crop sensor is APS sized, and that works. It crops to make the 21’s field of view like a 34mm lens (roughly), but keep in mind that it won’t get rid of the fish bowl effect you get from shooting such a wide-angle lens. Also, you lose the shallower depth of field you’d get with a real 35mm lens on a full-frame sensor.

But I can finally shoot my Leica glass again! And I didn’t have to rob anybody to do it!

Manually focusing the Nex is something that takes getting used to. It uses focus peaking to help with manual focusing, but it’s far from perfect. I still have to zoom in to make sure I’m really in focus, and that adds to the time it takes to get a shot ready. So it’s not perfect.

Manually focusing a Leica is still faster by a good deal, but the Nex is 1/10th the price. I’ll take imperfect focusing for an extra $5-$6k in my pocket.

There’s no way around this: the Nex has a terrible bracketing mode. It only goes as far as +/- 0.7 EV, which is pretty much useless if you want to take HDR photos or just bracket your shots intelligently. Honestly, I don’t know what Sony was thinking. I hope they fix the BIOS in the camera for that. My worry is that with new cameras coming out soon, they may orphan the current Nex cameras, and just leave it unfixed. I knew it going in, but it really is a bad oversight on Sony’s part.

Finally, the viewfinder; it’s a separate purchase on the 5N. If you want it integrated in the camera, you have to shell out an extra $400 for the Nex 7, or buy a $250 adapter for the other cameras that fills your “hot shoe.” It’s not a real hot shoe, but it’s the closest you get to one. So you can either have a mic, a flash, a light, or the viewfinder. That’s leaving me scratching my head and wondering what the engineers are thinking.

Take the Good with the Bad

Even with the mixed bag of good and bad stuff, I’m generally pleased with the Nex. It takes great photos, even if the controls aren’t what I’d like.

I have to spend 5-10 seconds composing each photo to make sure it’s in focus. Sometimes longer. That makes it bad for action shots. For artsy shots, or scenery shots, it’s great. But trying to photo something like a cat or small child? Not so great. But in my case, it fills a badly needed niche.

I like my Canon 60D, and the 17-55 EFS is a great lens, but it’s lacking in the kind of sharpness I got used to with Leica glass. I can’t get the kinds of photos I could get with my Leica M6 TTL and my Leica lenses. Now that I can slap those lenses on the Nex, I can just about get those photos again, and use the 60D for more action-related stuff.

The Nex is definitely not for everyone, but if you’re like me, and stuck in that Leica purgatory where you can’t afford the bodies, but you still have the lenses, it’s an affordable option.

Books and Hot Pizza

 Travel  Comments Off on Books and Hot Pizza
Oct 232012
 

Yesterday was kind of a blur, but I still remember what I was doing.

I slept in until 8:30, ate breakfast with my SO’s folks, and set out for Book Off at around 10 a.m. I probably spent two hours there, just looking at books. All kinds of books. I was looking for some inexpensive light novels, some books about business etiquette, maybe some manga, anything, really, that was cheap and interesting.

I found four books on business manners, and a textbook that teaches business Japanese through role playing. That last one was a bit pricey, but it looks really interesting. The other books were cheap– $9 or so. Considering I’d usually pay three times as much, it was a bargain.

I carried my backpack with me for carrying any books I bought. I learned that in Japan. Backpacks rule for carrying heavy stuff, just make sure they don’t open up on you. Mine did that in Book Off. That was slightly embarrassing.

The Manhattan Book Off has a pretty good selection, but don’t expect to find that obscure book you’ve been searching for there.

Done with Book Off, I walked over to Kinokuniya again, because I didn’t get to spend as much time there as I wanted to yesterday. I looked at some more business books, and wound up getting a good book on keigo by Kotoba no Oji-san (sorry, that’s I how I know him), a book on Embarrassing Japanese (things people say in Japanese that are just bad Japanese, according to the authors), a book of business e-mail expressions, and a book on how to write proper business letters.

I also found a novel to read for later.

While I was in the basement, I found their stationery store. I love Japanese stationery stores. There’s so much interesting stuff to look at, I could easily lose track of time there. I didn’t. But I did find a good brush roll for my calligraphy brushes. The one I have is getting a little too full of brushes, and I picked up 500 sheets of A4 copy/printer paper, so I can send of A4 stuff if I need to. (I’ve been looking for that!)

A lot of the stuff I went to the trouble to buy in Japan, I could have just bought at Kinokuniya.

That made me want to facepalm a bit.

Okay, a lot.

But at least now I know where to get all of this stuff. I wish they had an online stationery store. That would be great.

HOT!

I headed back to the apartment, because I needed to hit the road soon, but I decided to stop off at Frank’s Pizza on 23rd Street to get a bite. Frank’s has good, fast cheese pizza, New York style, which is my favorite. It’s what I grew up on.

Frank’s pizza is great, but I burned the hell out of my tongue. I should have been more patient and given it a chance to cool, but I felt like I was in a hurry, so I roasted my tongue pretty good.

Pain aside, that was good pizza. But it’s hot.

I also had a genuine New York Experience. A guy walked into the store, which is kind of small to begin with, and started barking and howling like a dog. No idea why. That’s just New York for you.

With a lot of help, I got my car loaded up and I left the apartment building at around 3:30 p.m. If I didn’t stop for anything, I might make it home by 12:30. I got an e-mail from one potential employer who was interested in me, and wanted my English resume as soon as possible, so I didn’t want to spend the night on the road.

The traffic around the Holland Tunnel was heavy, so I didn’t get to the Turnpike until 4:30. I had to skip Mitsuwa. Sorry Sis, I’ll buy it online for you.

Traffic was pretty smooth all the way to Baltimore. I saw another photo speed zone, and saw the camera catch a guy ahead of me, so I made sure I pegged it at 55. I don’t want a ticket.

It’s a long drive to NC from NYC. While I was in Virginia, I noticed that at some point, those three yellow lights on the dashboard finally went out. So whatever it was either fixed itself or fell off of the car.

I got home around 1:30 a.m., and got unpacked by about 3.

I slept like a log after that.

All in all, it was a very good trip, and very productive. I’ll have to wait and see how it pans out with the various companies.

Boston to Manhattan

 Travel  Comments Off on Boston to Manhattan
Oct 212012
 

I made it to Manhattan.

I thought about going a different way to Manhattan, because the traffic on I-95 through Connecticut was so unpleasant last time. The valet at the hotel suggested taking the Mass Pike to 84, and just riding that to 287 into the city, I think. It sounded tempting, but I wasn’t feeling adventurous today. I wanted to get to the city quickly and not get lost along the way, so I went the way I came.

There were only one or two areas where traffic jammed up, and it was only for 10-15 minutes or so. Not bad. I made it safely to Manhattan, and got unpacked. I’m staying at my SO’s mother’s apartment, and she took the extra time to help me figure out how to get to B&H Photo on 9th Avenue. She figured it out for me, and I set out.

If you’ve never been to B&H, you should go once. It’s crazy. It’s packed full of people, and there are conveyor belts carrying green boxes full of gear all over the place. It feels like something out of a movie. I wanted to pick up some film for my mom, who still uses a small Leica point-and-shoot film camera, and I wanted a spare battery for my Nex.

You really have to listen carefully at B&H, and pay attention. Things move fast. I blinked for a second and wound up at the wrong counter to pay, but they quickly sent me to the right person. I’ve bought a lot of gear from them over the years, and they never disappoint. I usually buy online because the 10% NYC tax is rough.

I grabbed the 34M crosstown bus to Herald Square Station, and grabbed a train to Bryant Park. From there, Kinokuniya was easy to find. (Well, I used Maps to find it.)

I spent about an hour in Kinokuniya, and I could probably spend several more there. Unfortunately, I needed to get back to the apartment for dinner at 7, so I cut my visit short and went back.

Tomorrow I’ll go back to Kinokuniya, visit Book Off, and we’ll see about anything else. I’m planning on going to Mitsuwa in New Jersey to pick up some stuff for my sister, but I don’t know if I’ll have time.

Career Forum, Constitution, Shiki

 Food, Travel  Comments Off on Career Forum, Constitution, Shiki
Oct 202012
 

While I’m freelancing, I’m always keeping an eye out for opportunities to do something interesting. I like freelancing, but it’s not the most secure kind of work in the world. I’d also like to be able to focus more on the work part of work than all of the other stuff that has to be done around freelancing, like accounting, etc.

So I headed back to the Career Forum today. Getting there was a lot easier for two reasons:
1. It wasn’t raining like crazy.
2. I have gotten somewhat used to the transit system here.

I sat in on some more presentations, handed out more resumes, and talked to a lot of different people. There were a few very promising leads here, and we’ll see how they pan out. I’m not going to get too high or too low over what happens at a job fair.

Seeing the Constitution and Bunker Hill

I got back to my hotel room, changed, flopped down for a bit, then realized that if I wanted to see the USS Constitution, I had better get a move on.

I started walking along the waterfront, taking lots of new pictures with my Sony Nex 5N, and eventually got to the Constitution. When I got to the admission gate I found out I was 15 minutes late. The last tour is at 4 p.m., not 5.

Oh well, I can still take pictures. And I took plenty of them.

Then I went into the USS Constitution Museum, and looked around at the exhibits. It was very interesting, and also very educational at the same time. When I was done looking around, I went down to the gift shop and picked up some souvenirs.

From there, I started walking towards Bunker Hill, because the sun was starting to set, and I thought I could get some good pictures from there.

Turns out I was right.

It was a little tricky to find it, because I saw two signs pointing in the general direction, and then saw absolutely nothing. But I had Google Maps with me, and Google Maps is a mighty weapon, so long as I have a signal!

I took a lot of pictures, and then started to get hungry. I walked back to the hotel, but wound up at the Constitution again, so I took more pictures of it in the sunset, and wandered back along the harbor walk to the hotel.

I asked one of the people at the front desk for a good restaurant that does seafood here, and I got a recommendation. I went upstairs to my room, and checked it out on the web.

Yikes.

Take the Green Line to Brookline

I decided to find someplace else to eat. I thought I would try Google’s Zagat ratings, and set it to seafood, 24 or higher, and it came back with Shiki, which is in Brookline, MA. I wasn’t intending to eat Japanese food tonight, but it had high scores and lots of good comments on the food, and the food is what matters.

It took 45 minutes to get there. The Green Line is a subway/tram line, and it branches out in 5 different directions. So when I got to the main Green Line station, I had to wait 15 minutes for a tram going to Brookline.

I eventually got to the restaurant, and they were packed. Fortunately, I was alone, so I could get a seat at the bar. I have gotten into a lot of packed restaurants that way. I prefer eating at the bar, because then I don’t have to watch other people eating, and I can talk to the bartender sometimes. It depends on my mood and the mood of the place.

I spent about 20 minutes worrying over the menu– they just had so many delicious looking things on it, that I couldn’t make up my mind. I settled on zaru soba, which is one of my favorites, and gyutan, which is grilled sliced cow’s tongue. Alas, there was no cow’s tongue left, so I tried to get kushiage, which is a bit of everything, deep fried. No luck. I got hirekatsu instead, which is like a tonkatsu, only in smaller chunks. The waitress apologized for not having what I wanted, but they were slammed, so I understand.

Shiki has great food. If you’re in the Boston area, it’s worth the trip.

When I got done eating, I went back to the Harbor, but stopped off to get some ice cream along the way at Emack & Bolio’s Ice Cream, because it’s near my hotel and on the way back from the subway station. The Chocolate Moose is pretty good.

I need to start packing, because I want to get to Manhattan in time to do some shopping before everything closes.

Boston Career Forum, Day One

 Japanese Language, Travel  Comments Off on Boston Career Forum, Day One
Oct 192012
 

My first big Japanese job fair was a little intimidating at first, but once I got settled into it, it was interesting.

I wasn’t so much here to do the job interview stuff as I was to do some reconnaissance work first.

Getting to the Convention Center from my hotel was a bit of work. I wound up getting off one stop too late, because I didn’t know that there was a line that served the center directly. It’s not on Google Maps. Well, it is, and it isn’t. Google Maps has it marked as a bus stop, but it’s not just any bus stop, it’s the Silver Line, which was apparently supposed to be a subway line, but wound up being an underground electric bus line.

That’s a first for me.

I got to the center, checked my bag, then picked up a bag full of information from the CareerForum.net folks. I took a few minutes and looked at the map and the list of companies, and thought about making a plan, then ditched it all and just started walking and talking to people, like I usually do.

I met a lot of interesting people doing interesting things.

I sat through a lot of presentations, too. Some of these companies look pretty interesting.

The main problem for me is that most of them want new college grads, and not experienced people. I just have to keep looking until I find a company that’s the right fit for me. I’m not going to get discouraged that easily.

I say that, but on the way home, the rain was beastly, and the wind was absolutely howling. I got soaked. Good thing I have 2 suits with me.

Made It To Boston

 Japanese Language, Travel  Comments Off on Made It To Boston
Oct 182012
 

Before I left this morning, I had a 30 minute Skype session with my business Japanese tutor. We worked on greetings and self-introductions, because those are always important. A bad first impression can take a long time to fix, so I need to learn how to do it right.

The connection quality was good. No surprises from the hotel’s network. I’m pleased.

Then I packed up the car, left the hotel, and started to make my way up to Boston.

The New Jersey Turnpike was congested. Lots of construction slowed everything down, so we couldn’t zoom like we usually do. Lots of 45 mph zones. Let’s see, I think it was $13.35 to get there on the Turnpike.

Another $7 and I crossed the George Washington Bridge and steeled myself for the drive on the Cross-Bronx Expressway, which is a sort of like the old game “Moon Patrol.”

Everyone around me is flying, and road is in horrible condition. Every 20-30 seconds, SLAM, the road drops out from beneath me, or I hit a crater-like pothole. My three yellow lights are still on, and I have a tight grip on the wheel. Randomly, lanes peel off to various directions, but thanks to Google Maps, I didn’t get lost.

I think I paid more money somewhere else, and then I was in Connecticut, where the traffic had somehow managed to get worse. Google said it was green before I got there, then it turned bright red.

Shoot.

I pulled off to check my maps and freshen up (the service area was closed), and figured out a way around the congestion. I drove on the city streets for a bit, then pulled back on to I-95.

Right into a traffic jam.

It was slow going the whole way to the I-91 split. After that things smoothed out a bit. I got on I-84 when I hit Hartford, then eventually got on the Mass Pike to Boston. Nothing really eventful happened. I payed out another $6.50 or so in tolls, I guess. I’ve lost track of how much it costs to drive all the way up here.

The hotel is nice. My room wasn’t quite ready, so they comped me a night of valet parking, and gave me a room with an incredible view of the harbor. If I look out the window, I can see the Garden. It’s pretty cool.

Tomorrow, the job fair starts.

Off to Boston.

 Travel  Comments Off on Off to Boston.
Oct 172012
 

I’m setting off for Boston, for the Boston Career Forum sponsored by CareerForum.net. I’ve decided to check it out and see what the job market for native English speakers who can speak Japanese is like. Granted, most of the 190 companies there are large-scale companies, and it’s probably more realistic to talk to smaller companies first, but it’s an opportunity.

Tonight I’m in Newark, Delaware, halfway to Boston on I-95. Today was challenging in its own way.

The day before yesterday, I dropped my car off at the dealership for an oil change and rotation, and asked them to take a look to make sure everything was running okay. It’s a long drive to Boston, so I don’t want anything falling off or breaking on the way.

I figured that everything would be fine.

I got packed up and hit the road today. By the time I was about 20 miles into Virginia on I-85, 3 yellow lights came on. The first two were about the VSC system, and the third was the Check Engine light.

Great.

So I pulled over at a truck stop and spent 15 minutes checking the owner’s manual to see what was up. Apparently, the skid control in the car isn’t working, and it stored a code in the computer. The car still ran fine, so I decided to try to ignore it as best I can.

When I got to Maryland, I decided to pull off at the welcome center on I-95 just north of the Beltway to figure out where I was going to stay tonight. The Welcome Center has free WiFi, so I tried surfing to hotels.com to see what the customers there thought of the hotels in Delaware. I found a good hotel, and then called them instead of messing with an open WiFi network. Not only are open networks not secure, this network was painfully slow.

Maryland has started doing something really tacky, IMO. They’re putting photo speed detectors in work zones. Now I’m not against speed enforcement, but I want to know who’s watching me. Also, I really dislike how the fines don’t change even if the zone is empty of people. If the fines are supposed to be a deterrent that saves the lives of workers, why are you trying to catch people at 9 p.m. in an empty zone? It’s not about safety, it’s a cash grab.

I like the approach they tried in Texas about 10 years ago. A group in Dallas wanted to sell speeding coupons for $5 each, and if you got caught by the police, you could just hand it over. That way, you’ve already paid your speed tax, and they get their ticket quotas. Sadly, the state legislature went nuts, even though most people in Dallas would have loved that kind of system, because they all drive like lunatics in Texas. (Well, to be honest, just about everywhere you go these days, everyone is driving like a lunatic, but in Texas it always seemed like everyone drove crazy fast.)

I think it’s more efficient to tax that sort of behavior up front, rather than playing cat-and-mouse with everyone. Everyone speeds, or if they don’t speed, they probably break some other traffic rules. For example, the left-lane vigilantes who drive slow in the left lane are breaking the traffic laws as well. Keep Right Except to Pass or Slower Traffic Keep Right are frequently seen on black-and-white rule signs, which makes them just as much of a scofflaw as the guy doing 70 in a 55 zone.

Anyway.

I wound up staying at the Holiday Inn Express just off of Exit 3B on the Delware Turnpike. It’s a great hotel. The rooms are a little pricey, but they’re clean, and it’s easy on/off the interstate.

One thing that has me slightly miffed– the cost of the drive so far in tolls. Just getting here has cost around $16, and I know it’s only going to get more expensive tomorrow.

Jamming With Meg

 Japanese Language, Music  Comments Off on Jamming With Meg
Sep 082012
 

One of my weirder ideas to improve my Japanese is to pick up a Japanese Vocaloid and write some grammar songs. I grew up on Grammar Rock, and I remember “Conjunction Junction” to this very day.

My idea is that by creating something that tunecrimes me into remembering grammar, I’ll jump ahead a few spaces on the board.

The problem is that buying the Vocaloid software is convoluted. Buying direct from Japan requires using a shipping agent, which adds fees to the already-expensive shipping. Going through a seller on Amazon means that the price is significantly higher, and that’s not figuring in shipping from Japan. (Again.)

So I went back to Vector, my online software store of choice, and found Megpoid Native for 9,000 yen in a download version. I also got Vocaloid 3 editing software from Bplats’ Vocaloid Store, also a download version. So for ~ 18,000 yen, I got a solid voice bank and the editor I need. It’s still kind of pricey, though.

Meg (or GUMI as she’s commonly called in Japan) had a good voice and solid range. I wish the software was more open, in the sense of working with ReWire and Reason. And I wish I could run it like I run Reason– use a USB key or a login and let me use it on more than 1 machine (like a laptop and a desktop.) Unfortunately, the license is one computer only, which sucks for when I travel. If I want to use a laptop, I have to shell out another 18,000 yen for more software.

Another annoying thing: the Japanese Vocaloid store is run by a different company than the English version. So the products they carry are different. And if you want to get job plugins for Vocaloid 3 software, the English store has a paltry 18, while the Japanese store has over 100.

I wish Yamaha and the other companies behind Vocaloid would work harder to reach out to the global users. It’s not easy to just “pick it up,” and it should be. The easier, the better for their bottom line, and my blood pressure.

Penciling Some Notes

 Music, Technology  Comments Off on Penciling Some Notes
Sep 072012
 

I dug out my old Edirol keyboard yesterday, and surprise, surprise, a large number of keys didn’t work.

Apparently over time, the contacts will lose the graphite they need to make the keys work properly, and according to this video, you can just fix it with a mechanical pencil and a 2H (not 2B) lead. Draw on the black parts of the contacts. If you screw up, you’ll have to erase and restart on the problem contact. I cleaned the more stubborn contacts with rubbing alcohol. Also, there’s a little black pad in the rubber cover, and sometimes that needs just a touch of graphite as well.

The main problem with doing this is taking the keyboard apart, and keeping track of not only the keys, but the springs that hold them in place. The best tool for removing the springs was a good pair of needlenose pliers. There are also a ridiculous amount of screws on this keyboard as well.

It took me a while to get some of the notes to work properly, but after a lot of fiddling in Reason, I got all of the keys to work again.

Now I can go back to messing with the new version of Reason, which I am digging, by the way. The last version of Reason I had was 2.5, and it’s up to 6.5 now. I love the new instruments, but I really love the new SSL mixer. That thing is a beast.

Buying Japanese Software Online

 Japanese Language, Technology  Comments Off on Buying Japanese Software Online
Aug 102012
 

Download versions of Japanese software are available in large quantities these days from online software vendors that have sprung up all over the place. Not all publishers are on board, but many are.

I finally took the time to get a copy of my favorite Japanese OCR software, e.Typist 14.0. Rather than import it and pay shipping, I bought a copy from an online software site called Vector, downloaded it and registered it.

Here’s the deal: you can find some good software this way for cheap. It’s legal, and you save a ton on shipping. (You’ll still get crushed by exchange rates if you’re unlucky enough to use dollars, though.)

There’s a BIG caveat: If you don’t know how to read Japanese, don’t waste your time. Seriously. Don’t.

For starters, the website be in Japanese.

You have a translator app to turn it all into English? Well, will your translator website also translate the program for you as you run it? Probably not.

I’d say the only exceptions would be for things like games or Vocaloid soundbanks. Even then, installation is going to be painful at times, and a Japanese Vocaloid soundbank is really only useful if you’re going to use it for Japanese. Yes, there are people who can force them to do English, but English has many more sounds than the Japanese soundbanks have… and I’m digressing big time.

I really love e.Typist, by the way. It’s a great program for doing Japanese Language OCR.

This blog is protected by Dave\'s Spam Karma 2: 3159 Spams eaten and counting...